Scholars have often recognized the “touch of irony” in Kongzi’s “collected conversations” (Lunyu 論語 or Analects of Confucius). Some interpreters have taken the ironic face as one of his faces. Others have celebrated the ironic Kongzi as the “true” depiction of the Master. This paper presents two seemingly contrasting images of Kongzi – the non-ironic sage and the ironic non-sage – and looks at their assumptions. I then explore the methodological implications of taking the Master’s irony seriously. I argue that, (...) touching upon irony, any interpretation is necessarily touched by it – it renders itself ironic. Finally, I discuss the post-comparative approach as an ironic approach. Post-comparative readings recognize that identity is the necessary condition for the transformation of identity. In this way, Kongzi’s irony is transformed by but also transforms more familiar, non-Chinese discourses on irony. (shrink)

The contextual dimension of ren or li is celebrated in English studies of Confucian ethics. However, it often gives way to the issue of individual practice in studies concerning the relationship be...

It has been three decades since comparative philosophers began to associate the Confucian concept of ren 仁 with contemporary Western care ethics. It would be useful to revisit the issue and to reassess related debates. In this essay, I first contextualize this discourse by tracing the emergence of care as a philosophical concept in the West and explicate the Confucian concept of ren in terms of care as it is formulated in classic texts. Then I respond to challenges, including opposing (...) views from influential care ethicists Nel Noddings and Virginia Held. I also discuss some promising studies to further this discourse. (shrink)

The Zhuangzi, a 4th century BCE Daoist text, is sceptical about the political culture of its time. Those who debated conceptions of a good life were hostile to the views of others. They were intolerant and at times contemptuous of others who did not embody their values. In contrast to such negativity, the Zhuangzi promotes equanimity. The equanimity of the sagely person is grounded in a balance she maintains between engagement and withdrawal. Engaging critically, she problematises the lack of diversity (...) in their options for a good life. By withdrawing, she refuses to be party to the squabbles that perpetuate intolerance. The paper aims to show how equanimity is possible, thereby articulating a new angle on emotions in the Zhuangzi. (shrink)