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  1. La perspectiva antropológica en Michel Foucault y Ludwing Binswanger. Existencia, imaginación y facticidad.Matias Abeijon - 2019 - Claridades. Revista de Filosofía 11 (1):79-106.
    El presente trabajo tiene como objetivo investigar el fundamento existencialista de la introducción escrita por Michel Foucault a “Traum und Existenz” de Ludwing Binswanger. Sostenemos que Foucault, partiendo de la antropología binswangeriana, desarrolla el esbozo de una antropología de la imaginación. Esta antropología se centra en una serie de conceptos: sueño, existencia, libertad, imagen e imaginación. Sin embargo, a diferencia del Daseinsanalyse, Foucault pone el acento en la facticidad y en la expresión histórica de la libertad. En este punto se (...)
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  • Empathy in Translation: Movement and Image in the Psychological Laboratory.Susan Lanzoni - 2012 - Science in Context 25 (3):301-327.
    ArgumentThe new English term “empathy” was translated from the GermanEinfühlungin the first decade of the twentieth century by the psychologists James Ward at the University of Cambridge and Edward B. Titchener at Cornell. At Titchener's American laboratory, “empathy” was not a matter of understanding other minds, but rather a projection of imagined bodily movements and accompanying feelings into an object, a meaning that drew from its rich nineteenth-century aesthetic heritage. This rendering of “empathy” borrowed kinaesthetic meanings from German sources, but (...)
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  • Foucault as Translator of Binswanger and von Weizsäcker.Stuart Elden - 2023 - Theory, Culture and Society 40 (1-2):91-116.
    Foucault’s Introduction to a translation of Ludwig Binswanger’s essay ‘Dream and Existence’ was published in late 1954. The translation was credited to Jacqueline Verdeaux, with Foucault acknowledged for the notes. Yet Verdeaux herself indicates the intensely collaborative nature of their working process and the translation. In 1958, Victor von Weizsäcker’s Der Gestaltkreis was published in French as Le Cycle de la structure, translated by Foucault and Daniel Rocher. Foucault went on to translate and introduce Immanuel Kant’s Anthropology as his secondary (...)
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  • Psychopathologies of time: Defining mental illness in early 20th-century psychiatry.Allegra R. P. Fryxell - 2019 - History of the Human Sciences 32 (2):3-31.
    This article examines the role of time as a methodological tool and pathological focus of clinical psychiatry and psychology in the first half of the 20th century. Contextualizing ‘psychopathologies of time’ developed by practitioners in Europe and North America with reference to the temporal theories implicit in Freudian psychoanalysis and Henri Bergson’s philosophy of durée, it illuminates how depression, schizophrenia, and other mental disorders such as obsessive-compulsive behaviours and aphasia were understood to be symptomatic of an altered or disturbed ‘time-sense’. (...)
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  • From the Problem of the Nature of Psychosis to the Phenomenological Reform of Psychiatry. Historical and Epistemological Remarks on Ludwig Binswanger’s Psychiatric Project.Elisabetta Basso - 2012 - Medicine Studies 3 (4):215-232.
    This paper focuses on one of the original moments of the development of the “phenomenological” current of psychiatry, namely, the psychopathological research of Ludwig Binswanger. By means of the clinical and conceptual problem of schizophrenia as it was conceived and developed at the beginning of the twentieth century, I will try to outline and analyze Binswanger’s perspective from a both historical and epistemological point of view. Binswanger’s own way means of approaching and conceiving schizophrenia within the scientific, medical, and psychiatric (...)
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  • Tracing the phenomenological psychopathological analysis to its source in the subjective experience of a psychiatrist.Svetlana Sholokhova - 2018 - HORIZON. Studies in Phenomenology 7 (2):430-451.
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  • Empathy in history, empathizing with humanity.Samuel Moyn - 2006 - History and Theory 45 (3):397–415.
    The Fragility of Empathy after the Holocaust by Carolyn J. Dean History in Transit: Experience, Identity, and Critical Theory by Dominick LaCapra.
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