This article starts an engagement on the aesthetics of experiments and offers an account for analysing how aesthetics features in the design, evaluation and reception of experiments. I identify two dimensions of aesthetic evaluation of experiments: design and significance. When it comes to design, a number of qualities, such as simplicity, economy and aptness, are analysed and illustrated with the famous Meselson-Stahl experiment. Beautiful experiments are also regarded to make significant discoveries, but I argue against a narrow construal of experimental (...) aims. By drawing on the plurality of goals experimenters have and diversity of aesthetic responses, I argue that experiments are aesthetically appreciated both when they discover and when they produce disruptive results. (shrink)

Grief is a complex emotional experience or process, which is typically felt in response to the death of a loved one, most typically a family member, child, or partner. Yet the way in which grief manifests is much more complex than this. The things we grieve over are multiple and diverse. We may grieve for a former partner after the breakup of a relationship; parents sometimes report experiencing grief when their grown-up children leave the family home. We can also experience (...) grief for people we have never met. Indeed, it is not just persons that we may grieve for. People report feeling grief over the death of their pets, or about the destruction the natural environment. In all these cases one factor that seems to stand out is loss. Despite being about very different things, these various forms of grief all involve a loss of some sort. Yet there is a further aspect of grief, which, on the face of it, does not quite follow this pattern. Grief can also be experienced before a loss has occurred. Grief can be experienced while the person that one is grieving for is still living and before one has (fully) suffered the loss. This phenomenon is known as anticipatory grief. The experience of anticipatory grief is a complex phenomenon, which resists easy classification. Nonetheless, we suggest that mental time travel, our ability to mentally project ourselves into the personal past (episodic memory) and personal future (episodic prospection), is a key mechanism that underpins experiences of anticipatory grief. Anticipatory grief can still be understood in terms of loss, but it is a loss that is brought to mind through memory and imagination. (shrink)

This paper considers the epistemic role that embodiment plays in imagining. We focus on two aspects of embodied cognition understood in its strong sense: explicit motoric processes related to performance, and neuronal processes rooted in bodily and action processes, and describe their role in imagining. The paper argues that these two aspects of strongly embodied cognition can play distinctive and positive roles in constraining imagining, thereby complementing Amy Kind's argument for the epistemic relevance of imagination "under constraints" and Magdalena Balcerak (...) Jackson's argument for justification by imagination. (shrink)

In this text, we will introduce the reader to the special issue on _Pretense and Imagination from the Perspective of 4E Cognitive Science_. To do so, we will introduce the concept of 4E cognition and showcase what the available 4E approaches to pretense and imagination look like, in particular if they are contrasted with current cognitivist accounts. Against this background, we provide an overview of the articles included in this special issue.