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Creativity

In Explaining Imagination. Oxford: pp. 262-296 (2020)

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  1. Making Imagination Even More Embodied: Imagination, Constraint and Epistemic Relevance.Zuzanna Rucińska & Shaun Gallagher - 2021 - Synthese 199 (3-4):8143-8170.
    This paper considers the epistemic role that embodiment plays in imagining. We focus on two aspects of embodied cognition understood in its strong sense: explicit motoric processes related to performance, and neuronal processes rooted in bodily and action processes, and describe their role in imagining. The paper argues that these two aspects of strongly embodied cognition can play distinctive and positive roles in constraining imagining, thereby complementing Amy Kind's argument for the epistemic relevance of imagination "under constraints" and Magdalena Balcerak (...)
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  • Pretense and Imagination From the Perspective of 4E Cognitive Science: Introduction to the Special Issue.Zuzanna Rucińska & Martin Weichold - 2022 - Phenomenology and the Cognitive Sciences 21 (5):989-1001.
    In this text, we will introduce the reader to the special issue on Pretense and Imagination from the Perspective of 4E Cognitive Science. To do so, we will introduce the concept of 4E cognition and showcase what the available 4E approaches to pretense and imagination look like, in particular if they are contrasted with current cognitivist accounts. Against this background, we provide an overview of the articles included in this special issue.
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  • Imagining One Experience to Be Another.Bence Nanay - 2021 - Synthese 199 (5-6):13977-13991.
    I can imagine a banana to be a phone receiver. I can also imagine the flapping of my arms to be flying. So it is possible to imagine one thing to be another—at least for some types of ‘things’. I will argue that although it is possible to imagine an object to be another object and it is also possible to imagine an activity to be a different activity, one cannot imagine one’s present sensory experience to be a different sensory (...)
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  • What is a Beautiful Experiment?Milena Ivanova - forthcoming - Erkenntnis:1-19.
    This article starts an engagement on the aesthetics of experiments and offers an account for analysing how aesthetics features in the design, evaluation and reception of experiments. I identify two dimensions of aesthetic evaluation of experiments: design and significance. When it comes to design, a number of qualities, such as simplicity, economy and aptness, are analysed and illustrated with the famous Meselson-Stahl experiment. Beautiful experiments are also regarded to make significant discoveries, but I argue against a narrow construal of experimental (...)
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