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  1. Susanne K. Langer and the Harvard School of Analysis.Sander Verhaegh - 2023 - In Lona Gaikis (ed.), The Bloomsbury Handbook of Susanne K. Langer. London: Bloomsbury Handbooks.
    Susanne Langer was a student at Radcliffe College between 1916 and 1926---a highly transitional period in the history of American philosophy. Intellectual generalists such as William James, John Dewey, and Josiah Royce had dominated philosophical debates at the turn of the century but the academic landscape gradually started to shift in the years after World War I. Many scholars of the new generation adopted a more piecemeal approach to philosophy---solving clearly delineated, technical puzzles using the so-called “method of logical analysis”. (...)
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  • Susanne Langer and the American Development of Analytic Philosophy.Sander Verhaegh - 2022 - In Jeanne Peijnenburg & Sander Verhaegh (eds.), Women in the History of Analytic Philosophy. Cham: Springer. pp. 219-245.
    Susanne K. Langer is best known as a philosopher of culture and student of Ernst Cassirer. In this chapter, however, I argue that this standard picture ignores her contributions to the development of analytic philosophy in the 1920s and 1930s. I reconstruct the reception of Langer’s first book *The Practice of Philosophy*—arguably the first sustained defense of analytic philosophy by an American philosopher—and describe how prominent European philosophers of science such as Moritz Schlick, Rudolf Carnap, and Herbert Feigl viewed her (...)
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  • Susanne K. Langer and ‘the odyssey of the mind’.Ann E. Berthoff - 2000 - Semiotica 128 (1-2):1-34.
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  • Susanne Langer and the Woeful World of Facts.Giulia Felappi - 2017 - Journal for the History of Analytical Philosophy 5 (2).
    Susanne Langer is mainly known as the American philosopher who, starting from her famous Philosophy in a New Key, worked in aesthetics and famously saw art as the product of the human mind’s most important, distinctive and remarkable ability, i.e., the ability to symbolise. But Langer’s later consideration of the connection between art and symbol is propagated by an early interest in the logic of symbols themselves. This rather neglected early part of Langer’s thought and her early interests and lines (...)
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  • Three women in semiotics: Welby, Boole, Langer.Susan Petrilli - 2010 - Semiotica 2010 (182):327-374.
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