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  1. Markosian’s Sideways Music and Aesthetic Value Gluts.Jeremiah Joven B. Joaquin - 2022 - Acta Analytica 37 (3):431-439.
    In “Sideways Music”, Ned Markosian presents the aesthetic value variance of sideways music as a case against what the Spacetime Thesis—the thesis that time is one of four similar dimensions that make up spacetime. Critics have already raised worries about the premises of his argument. In this paper, I focus on Markosian’s assumed aesthetic realism. I argue that there is a version of aesthetic realism—a version that admits aesthetic value gluts—that is consistent with both the Spacetime Thesis and the aesthetic (...)
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  • A song turned sideways would sound as sweet.Zachary Ferguson - 2021 - Analysis 81 (1):14-18.
    Markosian presents an argument against certain theories of time based on the aesthetic value of music. He argues that turning a piece of music sideways in time destroys its intrinsic value, which would not be possible if the Spacetime Thesis were true. In this paper I show that sideways music poses no problems for any theory of time by demonstrating that turning a piece of music sideways does not affect its intrinsic value. I do this by appealing to spatial analogies (...)
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  • The Great Loop: From Conformal Cyclic Cosmology to Aeon Monism.Baptiste Le Bihan - 2024 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie.
    Penrose's conformal cyclic cosmology describes the cosmos as a collection of successive universes, the so-called aeons. The beginning and ending of our universe are directly connected to two other, anterior and posterior, universes. Penrose considers but rules out a different interpretation of conformal cyclic cosmology: that the beginning of our universe is connected to its own end in a cosmic loop. The paper argues that the view, aeon monism, should be regarded as a natural interpretation of conformal cyclic cosmology and (...)
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