This paper is an argument for drawing creative practice to the center of philosophical aesthetics. Such an approach would engage philosophical problems that originate from artistic practices. It would also give aesthetics a role in the cultivation of creative practices, both inside and outside of traditional artistic fields. As such aesthetics would begin to engage questions that are pertinent to creativity and the enhancement of artful living.

How does Richard Shusterman’s Thinking Through the Body apply to the issues of everyday aesthetics? As it turns out, many chapters contribute significantly to everyday aesthetics, in particular the work on architecture, self-styling, the body as background, lovemaking, and the process of making a photographic portrait. Shusterman’s concentration on the art of living has special importance to everyday aesthetics. Current debates within the field of everyday aesthetics also raise problems for somaesthetics. I also question the limits of somaesthetics and Shusterman’s (...) rejection of defamiliarization in making the ordinary extraordinary. (shrink)

There are striking examples of artistic achievement among persons with autism. While autism can be the source of profound social isolation and physical difficulties, it can also lead to great accomplishment: it is estimated that between 5 percent1 and 10 percent2 of persons with autism have special skills or talents. These talents range widely, from abilities to pick out prime numbers or calculating the days of the week for dates many years into the future or the past, to the musical (...) and visual arts. These skills are known as savant abilities, or islets of ability. Artists with autism have received acclaim and are the subject of fascination. Even among these prolific and talented artists, a question remains: Is .. (shrink)