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  1. Why Modern Architecture Emerged in Europe, not America: The New Class and the Aesthetics of Technocracy.David Gartman - 2000 - Theory, Culture and Society 17 (5):75-96.
    Using theories by Pierre Bourdieu and the Frankfurt School that causally link art to class interests, this article examines the differential development of modern architecture in the United States and central Europe during the early 20th century. Modern architecture was the aesthetic expression of technocracy, a movement of the new class of professionals, managers and engineers to place itself at the center of rationalized capitalism. The aesthetic of modernism, which glorified technology and instrumental reason, was weak and undeveloped in the (...)
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  • "Borders and Centers in an Age of Mobility".David Kolb - 2007 - Wolkenkuckucksheim - Cloud-Cuckoo-Land - Vozdushnyizamok.
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  • (1 other version)On Ethics and the Earthquake Resistant Interior Design of Buildings.Yonca Hurol - 2014 - Science and Engineering Ethics 20 (1):171-181.
    The most common tectonic quality of modern structures, such as frame systems, is their flexibility; they are open for change. Although this characteristic is a big advantage in comparison to the inflexible masonry structures of the past, it might also create some serious problems, such as e.g. the lack of safety in the event of an earthquake, if the flexibility is not used consciously by architects and interior designers. This article attempts to define and establish some rules for the interior (...)
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  • Philosophy of Architecture.Saul Fisher - 2015 - Stanford Encyclopedia of Philosophy.
    Central issues in philosophy of architecture include foundational matters regarding the nature of: (1) architecture as an artform, design medium, or other product or practice; (2) architectural objects—what sorts of things they are; how they differ from other sorts of objects; and how we define the range of such objects; (3) special architectural properties, like the standard trio of structural integrity (firmitas), beauty, and utility—or space, light, and form; and ways they might be special to architecture; (4) architectural types—how to (...)
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  • (1 other version)On Ethics and the Earthquake Resistant Interior Design of Buildings.Yonca Hurol - 2013 - Science and Engineering Ethics (1):1-11.
    The most common tectonic quality of modern structures, such as frame systems, is their flexibility; they are open for change. Although this characteristic is a big advantage in comparison to the inflexible masonry structures of the past, it might also create some serious problems, such as e.g. the lack of safety in the event of an earthquake, if the flexibility is not used consciously by architects and interior designers. This article attempts to define and establish some rules for the interior (...)
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  • Ethical Considerations for a Better Collaboration Between Architects and Structural Engineers: Design of Buildings with Reinforced Concrete Frame Systems in Earthquake Zones. [REVIEW]Yonca Hurol - 2014 - Science and Engineering Ethics 20 (2):597-612.
    Architects design building structures, although structural design is the profession of structural engineers. Thus, it is better for architects and structural engineers to collaborate starting from the initial phases of the architectural design. However, this is not very common because of the contradictory design processes and value systems held within the two professions. This article provides a platform upon which architects and structural engineers can resolve the value conflicts between them by analysing phases of the structural design of reinforced concrete (...)
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