This paper deals with the phenomenon of retroactive continuity, or retcon for short, in which the truth-value of a proposition in an established fictional work is changed later. The primary aim of this paper is to provide the most compelling explanation for retroactive continuity. I first defend the metaphysical view about fiction, according to which when retconning occurs, a fictional work changes its property of containing a proposition while preserving its identity. I then argue that this view is theoretically preferable (...) to all other competing approaches. (shrink)

Fictional realism is the view that creatures of fiction exist. Mythical realism is the view that creatures of myth and mistaken theories exist. Call the combined view “Ecumenical Realism.” We critically evaluate three arguments for Ecumenical Realism and argue they are unsound because fictional storytelling differs from mistaken theorizing in important ways. We think these considerations support a more conservative view, “Sectarian Realism,” which results from subtracting “creatures of mistaken theorizing” from Ecumenical Realism. We close by considering an important challenge (...) to Sectarian Realism involving immigrants in fiction. (shrink)

In this paper, I defend fictional creationism, the view that fictional objects are abstract artifacts, from the objection that the apparent truth of fictional negative existentials, such as “Sherlock Holmes does not exist,” poses a serious problem for creationism. I develop a sophisticated version of the pragmatic approach by focusing on the inconsistent referential intentions of ordinary speakers: the upshot would be that creationism is no worse —perhaps even in a better position— than anti-realism, even if we restrict our linguistic (...) data to fictional negative existentials. (shrink)

The primary aim of this paper is to provide a plausible fictional creationist explanation of when and how a fictional object comes into existence without a successful creative intention, focusing on the problem posed by Stuart Brock’s nominalist author scenario. I first present some intuitions about parallel scenarios for fictional objects and concrete artifacts as data to be explained. Then I provide a sufficient condition for the existence of artifacts that can explain both cases. An important upshot of this is (...) that there is an overlooked way to bring artifacts into existence that should merit serious consideration, and this leads to a version of the mind-dependence, but not the intention-dependence, view of artifacts. (shrink)

This paper deals with the semantics and meta-semantics for ordinary names in fiction. It has recently been argued by some philosophers that when ordinary names are used in fictional contexts, they change their semantic contents and work as fictional names in general. In this paper, I argue that there is no compelling reason to believe that such reference changes occur and defend the view that whether those names refer to real or fictional objects depends on which semantic intentions speakers have.