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  1. The Critique of Intellectuals in a Time of Pragmatist Captivity.Steve Fuller - 2003 - History of the Human Sciences 16 (4):19-38.
    The ‘critique of intellectuals’ refers to a genre of normative discourse that holds intellectuals accountable for the consequences of their ideas. A curious feature of the contemporary, especially American, variant of this genre is its focus on intellectuals who were aligned with such world-historic losers as Hitler and Stalin. Why are Cold War US intellectuals not held to a similar standard of scrutiny, even though they turn out to have been aligned with the world-historic winners? In addressing this general question, (...)
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  • Paul de Man's Philosophical Poetics.Tom Eyers - 2014 - Philosophy Compass 9 (1):1-10.
    When details of the literary critic Paul de Man's anti-Semitic wartime journalism surfaced in the 1980s, enemies of deconstruction in the academy claimed that the always-controversial style of thought tended inherently towards nihilism in its tight focus on the paradoxes of language and in its relative indifference to truth claims. More recently, ‘speculative realists’ in philosophy have lambasted deconstruction and critical theory more generally with neglecting the reality of the physical world as it exists outside language and human comprehension. But (...)
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  • The survival of truth after Derrida.Michael Payne - 2000 - Cultural Values 4 (1):127-134.
    . The survival of truth after Derrida. Cultural Values: Vol. 4, No. 1, pp. 127-134.
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  • The social construction of social constructionism.Peter Slezak - 1994 - Inquiry: An Interdisciplinary Journal of Philosophy 37 (2):139 – 157.
    The republication of David Bloor's Knowledge and Social Imagery is evidence of the continuing interest and importance of the work but also provides the clearest evidence of the shortcomings of the enterprise. The new Afterword of Bloor's second edition addresses criticisms of the Strong Programme, but the theses which Bloor now defends are substantially weaker claims than the iconoclastic tenets of the original manifesto. Moreover, in a related strategy, Bloor asserts that criticisms made since 1975 have given him no reason (...)
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  • The Secrets of Paul de Man.Martin McQuillan - 2011 - Theory, Culture and Society 28 (7-8):140-157.
    Through an account of Derrida's late text on Paul de Man, ‘“Le Parjure”, Perhaps’, as a deliberately indiscrete confession, this essay considers the wider question of secrecy. It examines an unsuspected institutional history of deconstruction while suggesting a role for secrecy as the necessary condition of any critical reading. Along with De Man, the essay finally revisits the claim for ‘the radical secrecy of fiction’ as a basic structure of phenomena.
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