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  1. On the origin and significance of Poincaré's conventionalism.Jerzy Giedymin - 1977 - Studies in History and Philosophy of Science Part A 8 (4):271-301.
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  • Determinism and moral freedom: spiritualist fault lines in a debate at the Société Française de Philosophie.Pietro Terzi - 2020 - History of European Ideas 46 (6):876-895.
    ABSTRACT Like other philosophical traditions, what we call French spiritualism is a complicated constellation of thinkers who developed partially divergent answers to shared themes or concerns. In order to avoid easy generalizations and artificial labels, this article aims to explore the many-voiced character of this tradition by focusing on a debate on the notion of ‘liberté morale’ that took place in 1903 at the Société française de philosophie. Given the number and the calibre of the participants, as well as the (...)
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  • Confronting the brain in the classroom: Lycée policy and pedagogy in France, 1874–1902.Larry McGrath - 2015 - History of the Human Sciences 28 (1):3-24.
    During the influx of neurological research into France from across Europe that took place rapidly in the late 19th century, the philosophy course in lycées was mobilized by education reformers as a means of promulgating the emergent brain sciences and simultaneously steering their cultural resonance. I contend that these linked prongs of philosophy’s public mission under the Third Republic reconciled contradictory pressures to advance the nation’s scientific prowess following its defeat in the Franco-Prussian war of 1870 without dropping France’s distinct (...)
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  • Bergson and the spiritualist origins of the ideology of creativity in philosophy.Giuseppe Bianco - 2020 - British Journal for the History of Philosophy 28 (5):1031-1052.
    Henri Bergson (1859–1940), the most prominent member of nineteenth-century French spiritualism, is the first philosopher who explicitly defined philosophy as a practice which consists in posing problems anew and in creating concepts. In this article, I will try to reconstruct the progressive importance acquired by the terms ‘problem’ and ‘concept’ in nineteenth-century French philosophy and how they combined in Bergson’s theories about creativity, invention and novelty. I will argue that Bergson’s conception of philosophy as a creative intellectual practice was the (...)
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