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  1. Movement, Wildness and Animal Aesthetics.Tom Greaves - 2019 - Environmental Values 28 (4):449-470.
    The key role that animals play in our aesthetic appreciation of the natural world has only gradually been highlighted in discussions in environmental aesthetics. In this article I make use of the phenomenological notion of ‘perceptual sense’ as developed by Merleau-Ponty to argue that open-ended expressive-responsive movement is the primary aesthetic ground for our appreciation of animals. It is through their movement that the array of qualities we admire in animals are manifest qua animal qualities. Against functionalist and formalist accounts, (...)
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  • Peirce’s universal categories: On their potential for gesture theory and multimodal analysis.Irene Mittelberg - 2019 - Semiotica 2019 (228):193-222.
    Journal Name: Semiotica Issue: Ahead of print.
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  • Beyond the ‘Last Phenomenology’: Rhythmic Modulations in Gilles Deleuze’s The Logic of Sensation.Iain Campbell - 2023 - Deleuze and Guattari Studies 17 (3):301-325.
    This article reconstructs Gilles Deleuze’s engagement with phenomenology, and with the phenomenological problematic of sensation, in his Francis Bacon: The Logic of Sensation. Considering Deleuze’s adoption, from the phenomenology of art, of notions of sensation and rhythm, it examines how Deleuze complexifies these phenomenological notions by aligning them with his profoundly non-phenomenological notion of the body without organs, as well as with the concepts of modulation and the diagram. In mapping Deleuze’s complexification of rhythm and his development of a logic (...)
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  • Rhythm and the embodied aesthetics of infant-caregiver dialogue: insights from phenomenology.Kasper Levin & Maya Gratier - forthcoming - Phenomenology and the Cognitive Sciences:1-23.
    This paper explores how phenomenological notions of rhythm might accommodate a richer description of preverbal infant-caregiver dialogue. Developmental psychologists have theorized a crucial link between rhythm and intercorporeality in the emergence of intersubjectivity and self. Drawing on the descriptions of rhythm in the phenomenology of Maurice Merleau-Ponty, Erwin Straus, Henri Maldiney and Maxine Sheets-Johnstone, the paper emphasizes the role of art and aesthetic processes proposing that they not only be considered as metaphorical or representational aspects of rhythm but as primary (...)
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