Mass death resulting from war, starvation, and disease as well as the vicissitudes of extreme poverty and enforced sexual servitude are recognizably pandemic ills of the contemporary world. In light of their magnitude, are repentance, regret for the harms inflicted upon others or oneself, and forgiveness, proferring the erasure of the guilt of those who have inflicted these harms, rendered nugatory? Jacques Derrida claims that forgiveness is intrinsically rather than circumstantially or historically impossible. Forgiveness, trapped in a paradox, is possible (...) only if there is such a thing as the unforgivable. "Thus, forgiveness, if there is such a thing," can only exist as exempt from the law of the possible. Does this claim not open the way for hopelessness and despair? More troubling for Derrida is his concession that forgiveness may be necessary in the realm of the political and juridical. If so, is not the purity of the impossibility of forgiveness so crucial for him, contaminated? In pointing to some of the difficulties in Derrida's position, I shall appeal to Vladimir Jankelevitch's distinction between the unforgivable and the inexcusable. I shall also consider the significance of repentance in the theological ethics of Emmanuel Levinas and Max Scheler. Forgiveness, I conclude, is vacuous without expiation, a position that can be helpfully understood in the context of Judaism's analysis of purification and acquittal in the Day of Atonement liturgy. I argue that what disappears is Derrida's assurance of the impossibility of forgiveness, a disappearance that allows for hope. (shrink)

One of Michel Henry’s persistent claims has been that phenomenology is quite unlike positive sciences such as physics, chemistry, biology, history, and law. Rather than studying particular objects and phenomena phenomenology is a transcendental enterprise whose task is to disclose and analyse the structure of manifestation or appearance and its very condition of possibility.

The paper is focused on Genesis 1 – 3 where the primordial man [adàm] is created ‎and he was given the proper name Adam [adàm]. ‎ In Hebrew man and Adam are the same word, spelled the same way – [adàm]. ‎Different translations of Genesis 1-3 use for the first time the proper name Adam in ‎different places versions Gen 2:25; The German Luther ‎Bible Gen 3:8; Some English Protestant versions Gen 3:17; Bulgarian Protestant and many ‎English Protestant versions Gen (...) 3:20-21). The paper decodes the phenomenon by ‎studying the Hebrew original and several semiotic views on common and proper names ‎‎. Through these opinions the ‎important question “Who wrote the Bible?” is discussed. The analysis interfaces the new ‎linguistic relativity theory.‎ Four layers of symbolism are decoded: 1. The man became Adam; 2. The two men in ‎Gen 1:27 and in Gen 2:7 man [adàm] ‎is made by earth, ground [adamà]; 3. The two men in the New Testament ; 4. Edom, Adam and cultural discourses in both Testaments.‎. (shrink)

In this paper we focuse on how the first Heidegger changed the essential idea of phenomenology: if the terms of intentionality, pure consciousness, transcendental subject, noema and noesis radically disappear from Heidegger’s conceptuality, what does it mean exactly? Does Heidegger preserve anything from the idea of intentionality, from Husserl’s task of clarifying the aprioristic correlation between consciousness and object, and from Husserl’s relation of foundation of intentional modalities of higher level on modalities of lower level? We want here to emphasize (...) some essential changes concerning the idea of phenomenology: the holistic structure of experience, the task of clarifying the structure of transcendance as a foundation of intentionality, and the inversion of Husserl’s relation of foundation. On the contrary, we show how Husserl’s concept of sense is essentially different from that of ideal signification. (shrink)

I argue that we find the articulation of a problem concerning bodily agency in the early works of the Merleau-Ponty which he explicates as analogous to what he explicitly calls the problem of perception. The problem of perception is the problem of seeing how we can have the object given in person through it perspectival appearances. The problem concerning bodily agency is the problem of seeing how our bodily movements can be the direct manifestation of a person’s intentions in the (...) world. In both cases what, according to Merleau-Ponty, obscures a recognition of the phenomenon in question is a conception of our bodily capacities, i.e. our sensibility and our motility, which reduces these to the workings of mechanisms that are blind to meaning. I argue that both the problem concerning perception and the problem concerning bodily agency can be properly called transcendental. The problem of perception is transcendental because it concerns the very intelligibility of appearances and judgements with empirical content. The problem of bodily agency is transcendental in the sense that it concerns the very intelligibility of our bodily capacity to carry out intentions and by implication the intelligibility of our intentions as such. (shrink)

This paper explores the relationship between language, subjectivity and teaching in Emmanuel Levinas’s Totality and Infinity. It aims to elucidate Levinas’s presentation of language as always already predicated on a relationship of responsibility towards that which is beyond the self and the idea that it is only in this condition of being responsible that we are subjects. Levinas suggests that the relation with the Other through which I am a subject as one uniquely responsible is also the scene of teaching. (...) Through examining these ethical conditions of subjectivity, I suggest that this notion of the self as oriented towards the Other in a relation of passivity presents a challenge to many of the standard topoi of teaching and learning and invites us to consider the nature of teaching in a provocative new manner. (shrink)

The chiasm is usually considered the key notion for Merleau-Ponty’s later philosophy. I argue against a common conclusion, namely that ‘the chiasm’ is equivalent to ‘reversibility’. Even when the two terms are not taken as interchangeable, the precise nature of their relation has not been adequately established. Focusing exclusively on ‘reversibility’ has implications for a range of philosophical issues, including relations between self and other. The danger of substituting one term for the other is that existential relations are construed as (...) inversions, rather than as genuine exchanges. I examine two trajectories that can be discovered in ‘The Intertwining—The Chiasm’. The first is the inclusion of difference within a peculiar, extended sense of ‘reversibility’. The second is the development of a plurality of expressions, among which ‘reversibility’ is necessary but not sufficient. I go on to argue that Merleau-Ponty secures difference within the chiasm by supplementing the notion of reversibility with ‘imminence’, the idea that something has not yet occurred. I also propose that the figure of a threshold illuminates how the chiasm operates as a transition where both joining and differentiation occur. (shrink)

In this article the author seeks to highlight a specific disorder related to bodily experience in melancholia conceived as a severe form of clinical depression. The article is divided into three parts. In the first section, the author investigates the intersubjective dimension of bodily experience in light of the categories of Außen- and Innenleiblichkeit. In the second section, I explore a specific disturbance of the dimension of intercorporeality. The excessive feeling of the bodily (außenleibliche) visibility of his/her own sufferance is (...) a fundamental aspect of depression. At a pre-reflexive level, we constantly assume the noncoincidence between one's own bodily expression and the Other's experience/reading of these expressions. An alteration of this (pre-reflexive) awareness occurs in melancholia. The patient feels as if the melancholic condition would be transparent to the other. In the third section, the author intends to show the alteration of the embodied communication between the melancholic person and the other investigating two particular phenomena: the exchange of gaze in a face to face encounter, and the disturbance of the oral sense, revealing a specific form of irresponsiveness and the experience of void. (shrink)

RESUMO Este texto discute alguns problemas metodológicos e históricos concernentes à fenomenologia da consciência de imagem elaborada por Edmund Husserl e algumas de suas repercussões teóricas. Primeiramente será tematizado o escopo mais amplo em que a abordagem filosófica das imagens auferiu relevância no século XX, a saber, a assim chamada “virada icônica” ou “pictórica”, conforme as respectivas formulações de Gottfried Boehm e William Mitchell. Será situada nesse contexto a fenomenologia da imagem e, mais especificamente, a fenomenologia da consciência de imagem (...) elaborada por Husserl, considerando-se, em especial, os eixos norteadores dos três direcionamentos que sobressaem nas teorias contemporâneas da imagem, a saber: as abordagens antropológica, semiótica e perceptiva. A partir da retomada de nuances semióticas remanescentes na fenomenologia da consciência de imagem, serão apresentados alguns pontos críticos acerca da classificação das análises de Husserl no escopo do direcionamento perceptivo e, finalmente, apontadas implicações do copertencimento à apresentação intuitiva da imagem daquilo que se denominará “circunstancialidade indicativa”. ABSTRACT This text addresses some methodological and historical problems concerning the phenomenology of image consciousness elaborated by Edmund Husserl as well as some of its theoretical repercussions. At first, I examine the broader scope in which the philosophical approach to images became relevant in the 20th century, the so-called “iconic turn” or “pictorial turn”, according to the respective terms proposed by Gottfried Boehm and William Mitchell. In this context I situate the phenomenology of image and, more specifically, the phenomenology of image consciousness elaborated by Husserl, considering, in particular, the guiding axes of three directions that stand out in contemporary theories of image, namely: the anthropological, the semiotic and the perceptual approach. By the resumption of semiotic nuances remaining in the phenomenology of image consciousness I present some critical points about the classification of Husserl’s analyses in the scope of perceptual approach. Finally, I point out some implications of the co-belonging to the intuitive image presentation of what can be called “indicative circumstantiality”. (shrink)

Intentamos aquí el estudio del tratamiento que tiene en Jean-Luc Marion el nóema y, por extensión, la correlación nóesis-nóema, fundamental en la comprensión del “fenómeno saturado”. Con ese fin, retrocedemos a la consideración de tal correlación en Husserl, para saber, en última instancia, su justificación, y, también, comprender el sentido que esta tiene en la obra del padre de la fenomenología. Además, descubrimos el cambio operado en esa estructura por el avance de Lévinas y la “contra-intencionalidad” del Otro –la cual (...) influirá decisivamente en Marion al extender este esa contra-intencionalidad– y la consiguiente puesta en cuestión de la estructura nóesis-nóema, expresiva de la intencionalidad en Husserl, para todo fenómeno saturado. (shrink)

The patient–physician relationship is of primary importance for medical ethics, but it also teaches broader lessons about ethics generally. This is particularly true for the philosopher Emmanuel Levinas whose ethics is grounded in the other who “faces” the subject and whose suffering provokes responsibility. Given the pragmatic, situational character of Levinasian ethics, the “face of the other” may be elucidated by an analogy with the “face of the patient.” To do so, I draw on examples from Martin Winckler’s fictional physician (...) narratives. In addition, I explore how the standpoint of the physician conceals a related but often unacknowledged dimension of care: the obligation to nurse. For both nurse and physician, one question encapsulates Levinas’ medical ethics: “What does the patient say?” Using this as my guiding question, I examine the context within which physician, nurse, and patient meet in order to highlight their shared vulnerability and the care relationship that binds them together. (shrink)

La filosofía de Lévinas se inspira en las fuentes tradicionales del judaísmo, por más que apenas consienta que afloren a la superficie del discurso. De ahí la conveniencia de abordar su obra como un palimpsesto en el que operan dos niveles textuales, uno de ellos explícito y el otro velado. El Otro y el Mismo se relacionan entre sí según el modelo bíblico del vínculo YHWH-Israel: mientras que la Revelación inspira la epifanía del rostro, la Redención subyace a la reconstrucción (...) de la subjetividad en clave ética. En su conjunto, la heterología de Lévinas reitera, en el elemento de la filosofía, las experiencias centrales del monoteísmo hebreo. (shrink)

Identity as traditionally conceived in mainstream Western thought is focused on theory, representation, knowledge, subjectivity and is centrally important in the works of Emmanuel Levinas. His critique of Western culture and corresponding notion of identity at its foundations typically raises the question of the other. Alterity in Levinas indicates existence of something on its own account, in itself independently of the subject’s will or consciousness. The objectivity of alterity tells of the impossible evasion of signs from their destiny, which is (...) the other. The implications involved in reading the signs of the other have contributed to reorienting semiotics in the direction of semioethics. In Levinas, the I-other relation is not reducible to abstract cognitive terms, to intellectual synthesis, to the subject-object relation, but rather tells of involvement among singularities whose distinctive feature is alterity, absolute alterity. Humanism of the other is a pivotal concept in Levinas overturning the sense of Western reason. It asserts human duties over human rights. Humanism of alterity privileges encounter with the other, responsibility for the other, over tendencies of the centripetal and egocentric orders that instead exclude the other. Responsibility allows for neither rest nor peace. The “properly human” is given in the capacity for absolute otherness, unlimited responsibility, dialogical intercorporeity among differences non-indifferent to each other, it tells of the condition of vulnerability before the other, exposition to the other. The State and its laws limit responsibility for the other. Levinas signals an essential contradiction between the primordial ethical orientation and the legal order. Justice involves comparing incomparables, comparison among singularities outside identity. Consequently, justice places limitations on responsibility, on unlimited responsibility which at the same time it presupposes as its very condition of possibility. The present essay is structured around the following themes: Premiss; Justice, uniqueness, and love; Sign and language; Dialogue and alterity; Semiotic materiality; Globalization and the trap of identity; Human rights and rights of the other: for a new humanism; Ethics; The World; Outside the subject; Responsibility and Substitution; The face; Fear of the other; Alterity and justice; Justice and proximity; Literary writing; Unjust justice; Caring for the other. (shrink)

Summary This paper deals with the development of Husserl’s and Merleau-Pontys analyses of the affective lived experience of body and space. Both the concept of „flesh“ (Merleau-Ponty) and „Hyle“ (Husserl) stand for a sensuous principle that underlies the original givenness and solidarity of body and world and I claim that this interaction and the concomitant intertwining of body and place make up the existential dimension of architecture, i.e. the, being-here-in-a-place’. In this connection, I argue that the fact that bodily affective (...) experience endows the world with sense has led to a double break: On the one hand with representation and on the other with perspectivity and compossibility of the realms of being in Husserl’s and Merleau-Ponty’s respective approaches. Finally, I will exemplify this break and the development of genetic insights – from an anthropocentric, organic and harmonious space conception to a topologic space made up of incompossibilities expressing an ambiguous sense – with paradigmatic works of architecture, so as to make evident the explanatory potential of phenomenology for architecture. (shrink)

The article first develops an account of autonomy, explaining individual autonomy by means of three normative components and then discussing two objections. The first objection claims that autonomy has to be thought of as essentially relational; this objection is refuted. The second objection, labeled the skeptical objection, claims that we simply do not live autonomously, nor could we ever. Reference is made to novels by Iris Murdoch to present a skeptical solution to this objection.

Emmanuel Lévinas rompt avec les ontologies traditionnelles et porte sa réflexion « au-delà de l'Essence ». Cette rupture avec la totalité de l'Être est nécessitée par l'épiphanie du Visage d'Autrui. L'irréductibilité de l'altérité place d'emblée le sujet au coeur de la relation éthique. Le langage doit s'inventer, s'amplifier, s'inquiéter pour signifier l'Autrement qu'Être ; l'emploi de la métaphore s'avère essentiel pour cette pensée a-typique. On suivra ici le fil de quatre métaphores formant deux couples antithétiques : jeu et gravité, sommeil (...) et insomnie. L'analyse conduira au coeur de la philosophie d'Emmanuel Lévinas, à l'insomnie de la responsabilité pour Autrui.Emmanuel Lévinas breaks with traditional ontologies and carries his reflection "beyond the Essence". This rupture with the wholeness of Being is required by the epiphany of the Other's face. The irreducibility of the otherness places directly the subject in the midst of the ethical relationship. Language has to be invented, to be amplified in order to mean "l'Autrement qu'Être" ; the use of the metaphor appears to be essential for this a-typical thinking. Four metaphors composed by two anthetical sets : play and seriousness, sleep and insomnia, are presented here. The analysis will lead to the center of Emmanuel Levinas' philosophy, to the insomnia of the responsibility for the Other. (shrink)

El propósito del presente estudio es mostrar que el il y a o existir neutro que constituye uno de los temas recurrentes abordados por Levinas en sus primeras obras de finales de los años cuarenta, pertenece plenamente a la categoría descrita por la fenomenología del don de Jean-Luc Marion bajo la denominación de “fenómeno saturado” o “paradoja”. En orden a poner de relieve tal pertenencia, se examinan las cuatro figuras o atributos que definen el exceso de donación intuitiva propio de (...) todo fenómeno saturado atendiendo a su grado de coincidencia con el modo en el que Levinas describe la singular experiencia de exposición a la neutralidad del existir sin existentes. Esta postulada identificación entre ambos elementos supone una ampliación del horizonte fenomenológico potencialmente fructífera desde el punto de vista de la posible superación de la metafísica tradicional. (shrink)

Resumen El presente artículo ofrece una interpretación teleológica de la vida consciente y se basa, sobre todo, en la postura fenomenológica de Emmanuel Levinas. Sin embargo, es preciso tener en mente que la fenomenología husserliana está siempre presente como sustrato de ésta. Por ello, a partir de una lectura en que ambas perspectivas se complementan, trazaré un esquema en el que la totalidad de la conciencia se realiza como teleológica y explicaré el papel preponderante que cumple la síntesis en los (...) procesos de constitución para desarrollar los elementos de la ética levinasiana que culminan en una lectura teleológica de la vida consciente. Así, la infinitud con la que Levinas describe el encuentro ético deja de ser sólo una instancia de corte ético-ontológico para describir un momento teleológico.The present paper proposes a teleological interpretation of conscious life based on the phenomenology of Emmanuel Levinas. However, since Husserlian phenomenology serves always as a background for Levinas’s position, I offer a reading in which both views complement each other. First I lay out a scheme in which the totality of consciousness is realized as teleological and then I explain the predominant role played by synthesis in the constitution processes in order to develop the elements of a levinasian ethics culminating in a teleological reading of conscious life. Thus, the infinity with which Levinas describes the ethical encounter ceases to be only an instance of an ethical-ontological dimension to describe a teleological moment as well. (shrink)

The article introduces some aspects of Levinas's writings which are important to review his reception within feminist circles. It then analyses his text `And God Created Woman', and shows to what extent his view of women can be criticized as being traditional and patriarchal. Finally, it deals with the relation between Levinas and feminism of difference, and rejects the idea that his theory can be effectively applied to move beyond the debate equality vs difference.

Built upon the basic postulates of phenomenologic hermeneutics, this approach discusses the distinction between the poetic and the poetal body, investigating the possibility of the latter to reveal itself to the comprehensive awareness before its manifestation to the already interpretative one. An appearance that is captured by the eidetical intuition of the „white” comprehension as a potence of the signifiable which is prior to the proper act of signifying, in its original pure existence, that is in the very meaning in (...) which it is revealed. What is revealed is not the poetic body of a text that is already given in the static of the fact of being, but the self-revelation of the absolute in the poetal body of the fact of appearing, where the term „poetal” designates the dynamic attribute of the matrix poem of offering itself in the significance of self-affecting, its embodiment in the living flesh of the poem. (shrink)

Mass death resulting from war, starvation, and disease as well as the vicissitudes of extreme poverty and enforced sexual servitude are recognizably pandemic ills of the contemporary world. In light of their magnitude, are repentance, regret for the harms inflicted upon others or oneself, and forgiveness, proferring the erasure of the guilt of those who have inflicted these harms, rendered nugatory? Jacques Derrida claims that forgiveness is intrinsically rather than circumstantially or historically impossible. Forgiveness, trapped in a paradox, is possible (...) only if there is such a thing as the unforgivable. "Thus, forgiveness, if there is such a thing," can only exist as exempt from the law of the possible. Does this claim not open the way for hopelessness and despair? More troubling for Derrida is his concession that forgiveness may be necessary in the realm of the political and juridical. If so, is not the purity of the impossibility of forgiveness so crucial for him, contaminated? In pointing to some of the difficulties in Derrida's position, I shall appeal to Vladimir Jankelevitch's distinction between the unforgivable and the inexcusable. I shall also consider the significance of repentance in the theological ethics of Emmanuel Levinas and Max Scheler. Forgiveness, I conclude, is vacuous without expiation, a position that can be helpfully understood in the context of Judaism's analysis of purification and acquittal in the Day of Atonement liturgy. I argue that what disappears is Derrida's assurance of the impossibility of forgiveness, a disappearance that allows for hope. (shrink)

Alexander Schnell | : La position défendue dans cette contribution consiste à montrer que la compréhension de la phénoménologie comme philosophie transcendantale implique le recours à la philosophie allemande classique. L’auteur étudie, à ce dessein, une perspective d’abord gnoséologique puis ontologique, commandées sur différents registres par les concepts d’« intuition », de « construction » et de « possibilisation ». Dans un troisième moment, il établit comment, dans une perspective tirant les conclusions « métaphysiques » de ces élaborations phénoménologiques, ces (...) deux volets peuvent être envisagés dans un projet unitaire où la « possibilisation » est conçue comme une « réflexion de la réflexion ». | : In this paper I defend the idea, that the comprehension of Phenomenology as “transcendental philosophy” requires to establish the link between Phenomenology and Classical German Philosophy. I analyze for this purpose an epistemological and than an ontological perspective where the concepts of “intuition”, of “construction”, and of “possibilisation” play a first role. Then I try to show — in a perspective drawing the metaphysical conclusions of these phenomenological analyses — that these two perspectives can be integrated in a common project where “possibilisation” is conceived of as a “reflexion of the reflexion”. (shrink)