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Mediated memories

Angelaki 11 (2):117 – 136 (2006)

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  1. How Public is Public Art? A Critical Discourse Analysis of the Racial Subtext of Public Monuments at Canada’s Pier 21.Patience Adamu, Deon Castello & Wendy Cukier - 2019 - Open Philosophy 2 (1):126-136.
    Much of the literature on public space focuses on physical inclusion and exclusion rather than social inclusion or exclusion. In this paper, the implications of this are considered in the context of two monuments, The Volunteers/Les Bénévoles, and The Emigrant, located outside the Canadian Museum of Immigration at Pier 21 in Halifax, Nova Scotia. These monuments, while perhaps designed to celebrate Canadian multiculturalism, can be read instead as signaling Canada’s enduring commitment to white supremacy, Eurocentricity and colonization, when viewed through (...)
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