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Dialektika khudozhestvennoĭ formy

Moskva: Akademicheskiĭ proekt (1927)

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  1. Hegel at the GAKhN: between idealism and Marxism—on the aesthetic debates in Russia in the 1920s.Nikolaj Plotnikov - 2013 - Studies in East European Thought 65 (3-4):213-225.
    This contribution analyses the importance of the State Academy of the Study of Arts in the appropriation of Hegel's aesthetics in Russia. In immediate connection to this discussion at the GAKhN is Gustav Špet’s conception of the ontology of art. This concept represents an attempt of a non-metaphysical interpretation of Hegel’s aesthetics. There, art is interpreted as an autonomous mode of the cultural existence as “aesthetic reality.” In this interpretation of art Špet refers to two of Hegel's theses in which (...)
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  • The young Losev as phenomenologist.Thomas Nemeth - 2015 - Studies in East European Thought 67 (3-4):249-264.
    The two names most closely associated with phenomenology in early twentieth century Russia are Gustav Špet and Aleksej Losev. However, is that judgment warranted with regard to Losev? In just what way can we look on him as a phenomenologist? Losev himself, in the mid-1920s, employed the expression “dialectical phenomenology,” seeing phenomenology as an initial descriptive method to ascertain essences. He was sharply critical of its self-limitation in disavowing all explanation as metaphysical. Yet, earlier that decade Losev approved of Husserl’s (...)
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