This essay advances an interpretation of early Christian codex books, which goes beyond Catherine Pickstock’s critique of Jacques Derrida. Firstly, it summarizes Derrida’s deconstruction of Plato’s Phaedrus and introduces his understanding of writing as différance. Secondly, it outlines Pickstock’s After Writing in order to understand her emphasis upon the liturgical nature of platonic dialogue. It is here that an ambiguity emerges between writing and codex books in Pickstock’s account. In response, the insights of book historians such as Roger Chartier will (...) be brought to bear in order to understand the longer history of the codex, which sees the printing press as a continuation of the early transition from roll to codex in the second century of the Common Era. It has long been noted that Christians of this period were early and pervasive adopters of codex binding for their sacred literature. By summarizing the reasons why, it will be shown how the codex expressed early Christian religious concerns. (shrink)

This paper explores Rabih Alameddine’s debut novel, Koolaids, from a queer a/theological perspective. It has been read as portraying an exilic in-betweenness and this paper looks at how this indeterminacy manifests in the text’s relationships to sexuality and Scripture. It argues that Alameddine dissects the stability of sexual norms and desires, and effectively queeries all compulsions to identify. It also discusses how Alameddine rereads and returns to Scripture, whilst rebuking blind faith in anything, and suggests that whilst his own relationship (...) to theologies may be non-committal and ambiguous, the text embodies and exposes multiple possibilities for reconciling queerness of all kinds with Divine and self acceptance. It concludes with the suggestion that Koolaids can be read as offering myriad resources for theological reflection, resources that are at once a/theological, queerly positioned, and ever-open to diverse theological dreamscapes. (shrink)