This article presents a conceptual and methodological framework to study heritage-based tribalism in Big Data ecologies by combining approaches from the humanities, social and computing sciences. We use such a framework to examine how ideas of human origin and ancestry are deployed on Twitter for purposes of antagonistic ‘othering’. Our goal is to equip researchers with theory and analytical tools for investigating divisive online uses of the past in today’s networked societies. In particular, we apply notions of heritage, othering and (...) neo-tribalism, and both data-intensive and qualitative methods to the case of people’s engagements with the news of Cheddar Man’s DNA on Twitter. We show that heritage-based tribalism in Big Data ecologies is uniquely shaped as an assemblage by the coalescing of different forms of antagonistic othering. Those that co-occur most frequently are the ones that draw on ‘Views on Race’, ‘Trust in Experts’ and ‘Political Leaning’. The framings of the news that were most influential in triggering heritage-based tribalism were introduced by both right- and left-leaning newspaper outlets and by activist websites. We conclude that heritage-themed communications that rely on provocative narratives on social media tend to be labelled as political and not to be conducive to positive change in people’s attitudes towards issues such as racism. (shrink)

Do members of cultural groups have special claims to own or control the products of the cultures to which they belong? Is there something morally wrong with employing artistic styles that are distinctive of a culture to which you do not belong? What is the relationship between cultural heritage and group identity? Is there a coherent and morally acceptable sense of cultural group membership in the first place? Is there a universal human heritage to which everyone has a claim? Questions (...) such as these concern the ethics of cultural heritage (or heritage ethics, for short). This entry seeks to provide an overview of the philosophical work on topics in heritage ethics, as well as introduce readers to some of the most philosophically relevant literature from other disciplines. (shrink)

Since 1989, social change in Europe has moved between two stories. The first being a politics of memory emphasizing the specificity of culture in national narratives, and the other extolling the virtues of the Enlightenment heritage of reason and humanity. While the Holocaust forms a central part of West European collective memory, national victimhood of former Communist countries tends to occlude the centrality of the Holocaust. Highlighting examples from the Estonian experience, this article asks whether attempts to find one single (...) European memory of trauma ignore the complexity of history and are thus potentially disrespectful to those who suffered under both Communism and National Socialism. Pluralism in the sense of Hannah Arendt and Isaiah Berlin is presented as a way in which to move beyond the settling of scores in the past and towards a respectful recognition and acknowledgement of historical difference. (shrink)

This article uses one incident, the Athenian efforts to acquire Salamis from Megara during the sixth century B.C.E., to study what Greeks themselves believed about their own past and why the past was so powerful an argument for them. The nature of the evidence is an important part of the discussion, since the written sources date from long after the events and Greek authors' approaches to the past differ from our own. Although only brief fragments of any Megarian historians survive, (...) they are useful in providing a counterbalance to Athenian sources, since their versions of mythological events and portraits of mythological heroes are very different. The archaeological evidence includes inscriptions, vases, and graves; with one possible exception, this material was not exploited either by Solon and the Athenians or by the ancient authors. Sources credited both Solon and Athens with having used five different kinds of arguments to make the Athenian case for Salamis, and this variety indicates that Greeks of later centuries did not really know what happened in the struggle over the island. Hampered by problems of chronography and influenced by cultural attitudes such as a belief in a culture hero, historians, biographers, and travelers wrote accounts which reveal the importance of the past, especially the Trojan War past, to Greeks. (shrink)

Cultural heritage can offer tangible and intangible traces of the past. A past that shapes cultural identity, but also a past from which one sometimes wishes to detach oneself and which nevertheless needs to be remembered, even commemorated. These themes of memory, history and oblivion are examined by the philosopher Paul Ricoeur in his work La mémoire, l’histoire, l’oubli. Inspired by these ideas, this paper analyses how they are closely linked to cultural heritage. Heritage serves as a support for memory, (...) even if it can be mishandled, which in turn can affect heritage policies. Memory and heritage can be abused as a result of wounds from the past or for reasons of ideological manipulation or because of a political will to force people to remember. Furthermore, heritage, as a vehicule of memory, contributes to historical knowledge, but can remain marked by a certain form of subjectivism during the heritage and conservation operation, for which heritage professionals are responsible. Yet, the responsibility for conserving cultural heritage also implies the need to avoid any loss of heritage, and to fight against oblivion. Nonetheless, this struggle cannot become totalitarian, nor can it deprive the community of a sometimes salutary oblivion to its own identity construction. These theoretical and philosophical concepts shall be examined in the light of legal discourse, and in particular in Belgian legislation regarding cultural heritage. It is clear that the shift from monument to heritage broadens the legal scope and consequently raises the question of who gets to decide what is considered heritage according to the law, and whether there is something such as a collective human right to cultural heritage. Nonetheless, this broadening of the legislation extends the State intervention into cultural heritage, which in turn entails certain risks, as will be analysed with Belgium’s colonial heritage. (shrink)

After Rachel E. Burke briefly introduces the essays presented with a focus on our contemporary relationship to modern subjectivity, Mieke Bal will make the case for the sense of presentness on an affective and sensuous level in Munch’s paintings and Flaubert’s writing by selecting a few topics and cases from the book Emma and Edvard Looking Sideways: Loneliness and the Cinematic, published by the Munch Museum in conjunction with the exhibition Emma & Edvard. It is this foregrounded presentness that not (...) only produces the ongoing thematic relevance of these works, but more importantly, the sense-based conceptualism that declares art and life tightly bound together. If neither artist eliminated figuration in favour of abstraction, they had a good reason for that. Art is not a representation of life, but belongs to it, illuminates it and helps us cope with it by sharpening our senses. As an example, a few paintings will clarify what I mean by the noun-qualifier “cinematic” and how that aesthetic explains the production of loneliness. (shrink)

Social preservation is a bundle of ethics and practices rooted in the desire of some people to live near old-timers, whom they associate with “authentic” community. To preserve authentic community, social preservationists, who tend to be highly educated and residentially mobile, work to limit old-timers’ displacement by gentrification. However, they do not consider all original residents authentic. They work to preserve those they believe embody three claims to authentic community: independence, tradition, and a close relationship to place. Underlining their attraction (...) to these characteristics are resistance to the evolution of neighborhoods and towns, and the notion that certain groups have a greater claim to authentic community than others. These beliefs, and, secondarily, local institutions and boosters, influence their preservation of certain groups. While the quest for the authentic is typically viewed as affirming the authenticity of its seekers, social preservationists measure the authenticity of others’ communities against their own in authenticity. That is, they are committed to virtuous marginality, which exists when people associate authenticity with, and highly value, characteristics they do not share, and consequently, out of a desire to preserve the authentic, come to regard their distance from it – their marginality – as virtuous. This article reveals the consequences of definitions of authenticity, and more generally of ideology, by demonstrating how they shape preservationists’ lives, particularly their experience of community. (shrink)

The archive can take many forms but all are marked by a connective sequence: archive, memory, the past, narrative. The author explores this sequence through an account of her engagement with four different types of archive, constructing a phenomenology of the archive which highlights the promises and seductions offered to the researcher. Postmodern questioning may throw in doubt older conceptions, whereby the archive is used to legitimate knowledge claims about the past of a nomological nature. However, in a context where (...) intellectuals become interpreters rather than legislators, the role of the archive as repository of inert meanings is strengthened rather than weakened; using the archive helps us to understand the dialectical nature of the relationship between past and present and our own positioning within this. (shrink)

This article investigates how national histories marred by racial conflict can be translated into narratives of group identity formation. I study the role of “identity-driven” museums in converting American’s racial past into a metanarrative of black identity from subjugation to citizenship. Drawing on a thick description of exhibitions at 15 museums, interviews with curators and directors, museum documents, and newspaper articles, I use the “political economy of memory” as a framework to explain how ideological and material processes intersect in the (...) production of exhibitions. I show that in addition to struggles over the truth and interpretive styles, more prosaic issues of funding, attendance, and institutional capacity-building hve an impact on representational selectivities. I explain how these issues affect black museums operating during the civil rights and post-civil rights eras. I consider the motivations and consequences of “remembering” national histories of violence and intolerance through the prism of group identity formation. (shrink)

We now have good reason to worry that many coastal cities will be flooded by the end of the century. How should we confront this possibility (or inevitability)? What attitudes should we adopt to impending inundation of such magnitude? In the case of place-loss due to anthropogenic climate change, I argue that there may ultimately be something fitting about letting go, both thinking prospectively, when the likelihood of preservation is bleak, and retrospectively, when we reflect on our inability to prevent (...) destruction. I then explore some of the ethical complications of this response. (shrink)

Amongst other things, this paper argues that a kind of anthropology, referred to by Strathern as modernist anthropology, has no reason to refer to artifacts except as illustrations. They are merely useful examples to illustrate information the anthropologist has provided about a given social/cultural context, e.g. to illustrate a worldview.

As archaeologists, we have to deal with the dead, and as David Clarke once said, we like to keep our archaeology dead. From an epistemological perspective, alienation from the dead seems almost inevitable; otherwise, we would only project today’s conditions onto the past. Therefore, the past must be, and must remain, a foreign country. These alienating processes have ethical implications, however, especially when it comes to the study of human remains. In this article, we analyze the structures within the scientific (...) discipline of archaeology that normalize practices, such as the labeling of human bone material during excavations and the object-like display of skeletons in museums. We argue that archaeologists have an – often rejected – ethical responsibility towards subjects from the past. We, therefore, seek to open up a debate concerning alternative strategies for the treatment of the dead. (shrink)

Fugue and chaos are used in their contemporary meaning. Elements of the fugue, albeit a ‎small number of universals, will be demonstrated in the area of visual and verbal colors. ‎Chaos dominates the internet, fashion, and everyday life. The visual and verbal colors are ‎differentiated and their communicative potential is indicated alongside the diachronic changes. The prototypes of colors are the interface between visual and verbal colors.‎.

This essay attempts to develop some ideas about national identity as envisioned in the "Aeneid", with two foci: the lack of clarity concerning Aeneas' own nationality, and the inaccuracies in the descriptions of the foreigners portrayed on Aeneas' Vulcanian shield. I aim to undermine the notion that Vergil's own generation and Augustus' regime should be assumed to be the "climax," "culmination," or "fulfillment" of the historical process as the "Aeneid" imagines it, and to present reasons for thinking that Vergil's audience (...) was being invited, instead, to imagine a very long-range future-to expand for themselves the scope of the poem and meet its challenge. I discuss the possibility that Vergil himself was not born either Roman or technically Italian and mention also the probable high proportion of his original audience born without the Roman franchise and admitted to it in the 80s or in 49. I argue that the extended historical range-finder through which the poem requires its readers to view themselves and their inheritors is designed to impose upon them the task of seeking a version of mos that can be made universal, and the task also of regarding present opponents as destined future fellow-Romans. (shrink)

Authenticity was neither an exclusive criterion nor even a keyword in the rise of the historic preservation movement before the heated controversies over `Heritage' beginning in the late 1960s. Both advocates and critics have tended to ignore or oversimplify an actual history of non-dogmatic but not at all unprincipled reflection, analysis and professional practice. From the writings of Alois Riegl and Camillo Boito around 1900 through ongoing debates over the ideal of authenticity put forth by the Venice Charter of 1964, (...) this history represents a major and an authentic contribution to understanding the values, possibilities and complications of preserving the past. (shrink)

This article sketches a theory of time-binding communication, which is to say communication that unifies widely separated times much as space-binding communication unifies widely separated places. Drawing from the work of Harold Innis, it first describes the function and character of time-binding communication as a means to social continuity. Then, following Alasdair MacIntyre and Michael Oakshott, it explains the nature and necessary circumstances of this sort of time-binding communication, or tradition. It discusses the character, consequences, and causes of decadence - (...) radical discontinuity - as these have been described by Richard Weaver, C. E. M. Joad, and Jacques Barzun. Finally, it turns to David Lowenthal's notion of the past as a 'foreign country' in an effort to explain the relations between modernity and both tradition and decadence, as well as the geography of tradition and decadence in the modern world. (shrink)

This paper explores the ethical aspects of an investigation into a forester's perception of his landscape. Three different ethical issues are addressed. The first issue concerns the ethics associated with the methodology of ethnology. The second concerns a forester's ethics. An example is provided which indicates how he applies values and aesthetics to the landscape in which he lives and works. Finally, the ethics of wilderness is discussed, concentrating on the different ways in which people perceive wilderness and wilderness issues, (...) depending on their relationship with the forest landscape. The article concludes by questioning whether the ways in which wilderness is culturally constructed can lead to misconceptions about human-forest interaction, and by asking whether emphasis on wilderness as a positive value has been exaggerated. (shrink)

By considering a variety of readings of Renaissance Florence from Burckhardt to the present, this article discusses the nature of the interrelation between the archive and the historian, with a view to illustrating the partiality of both. The records contained within the archives are by nature fragmentary; vestiges of the past, they are also partial in the sense of being subjective, testimonies to past relationships either between individuals or between individuals and institutions - social or political. Likewise, the readings of (...) historians are partial both in the sense that the historian’s research is focused upon particular parts of the archive and in his or her subjectivity as an historian. Interestingly, in this context post-Burckhardtian Florentine historiography shares common ground, however unwittingly, with certain aspects of post-modern writing in decentring the subject, for observations concerning the partial subjectivity of Burckhardt’s Renaissance individual apply equally to observations concerning the partial subjectivity of historians as writers. The fiction of an objective historical method producing hard history becomes apparent once the static relation of historian as subject researching the archive as object is reconfigured as a dynamic and dialectical process. Through the acknowledging of the contingency of such archival readings it becomes apparent that the archive itself is a symbolic construct constituted through the process of writing. (shrink)

In this thesis I argue that Foucault's dispersive historiography is a deepening rather than a purifying of historical existence. This emphasis upon dispersion as a critical principle is contrasted with, and delimited by the possibility of the narrative comprehension of historical existence exemplified by the hermeneutics of Paul Ricoeur. Insofar as the responsibility to act is an important field where tfphis deepening takes place it cannot be subordinated to the responsibility to otherness which aims at dismantling the action orientated frameworks (...) of traditional ethics and politics. Ricoeur's promotion of narrative refiguration as a response to the aporias of time is thus, a timely rejoinder to dispersive genealogy. I argue further that Foucault's historiography exhibits the productive tension of history as both difference and meaning and that the ethical thrust of such writing is to address the concerns of the present in a way that metamorphosizes rather than challenges the narrative function. Insofar as it connects with the struggles of disenfranchised and marginalized groups, and discourses, it also echoes a powerful element In traditional emancipatory historiography which attempts to fully embrace the slaughtered possibilities of the past The emancipatory potential of dispersive historiography is examined further by comparison with the aims and values of traditional critical theory. Two positions are delineated: Complementarity, in which genealogy produces valuable insights into hitherto unacknowledged power structures; Delimitation, in which Foucault's work is seen to be an important limitation on the epistemological and ontological interventions of critical theory. This JOIns the philosophical hermeneutical critique of critical theory In its delimitation of the finite horizon of all emancipatory discourse. Finally I argue that Foucault's work is itself limited by its refusal to countenance the utopian dimension of social reproduction in which the social imaginary is to be considered not as a delusory projection of desire, but as a driving force behind the projection of freedom. Dispersive freedom sees the formation of political, cultural, and social identities as always constraints upon the real practice of freedom. It is this marginalisation of liberation as a process with ends that I seek to dispute. I conclude that Foucault's dispersive principles are belied by the important contribution his work has made to the necessarily ceaseless task of the refiguration of the concepts of history, freedom, power and truth. (shrink)

This paper seeks to elucidate how morality, landscape and environmental pratice are related as played out in a dialogue between farmers and the planning apparatus. Differing views on landscape and nature reveal differing but ever present moral messages inscribed in the land. It is argued that constructions of past, present and future time produce moral messages about landscape and nature. The Jaeren district on the south-western coast of Norway serves as the empirical base for this paper.

This article addresses a project by Bernard Lassus, a celebrated French landscape architect, for a rest area on a highway outside Nimes, France. Using this project as a lens, it asks whether a tourist can approach any sense of Heidegger’s concept of dwelling. It goes on to inquire about fresh visions of places, citing familiar modernist approaches and postmodern ones advocated by Lyotard. After dealing with cultural differences in the promotion of tourist sites, it attempts to dissect Lassus’s motives and (...) references in the design of the Nimes-Caissargues Rest Area. Finally, it places Lassus’s project in the context of earlier gardens about cities, use of simulacra, Heidegger’s theory of dwelling, and Lyotard’s concept of “unpresentable.”. (shrink)

This study explored how historians with different background knowledge read a series of primary source documents. Two university-based historians thought aloud as they read documents about Abraham Lincoln and the question of slavery, with the broad goal of understanding Lincoln's views on race. The first historian brought detailed content knowledge to the documents; the second historian was familiar with some of the themes in the documents but quickly became confused in the details. After much cognitive flailing, the second historian was (...) able to piece together an interpretative structure that brought him by the task's end to where his more knowledgeable colleague began. Data analysis focused on how, lacking detailed content knowledge, this historian was able to regain his intellectual footing, work through confusion, and resist the urge to simplify. Implications of this work for cognitive analyses in history and education are discussed. (shrink)

It is a truism today that antiquities are valuable resource of symbolic capital of the modern nations. Therefore in many research fields a strong focus can be seen on the uses/abuses of the past in constructing national identity of the “imagined community” of the nation. I isolate the figure of Orpheus whose Thracian-ness fuelled “the grand national narrative” in Bulgaria, in the last few decades. It is studied in the context of the shared, connected, and entangled history of the Balkans (...) produced by Bulgarian, Romanian and Greek scholars. Their valuable reflexive and critical studies of the usable past are fruitful for the development of new perspectives in the academic space. The “eye of anthropology” gives priority to cultural phenomena and makes it possible to evaluate these imageries as cultural products in specific contexts. They are embedded through different media in everyday life which produce a number of representations – municipality emblems, narratives, films, monuments of the fabricated “national hero”. (shrink)

In my dissertation I define historical disciplines as disciplines that aim to give a historical interpretation of the evidence. Phylogenetic systematics is a historical discipline and therefore in my definition phylogenies should be thought of as historical interpretations of relationships between taxa.