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  1. A stichometric allusion to catullus 64 in the culex: An addendum.Dunstan Lowe - 2015 - Classical Quarterly 65 (2):891-891.
    I am grateful to Edward Courtney for observing that the stichometric correspondence between the Culex and Catullus 64 is close but not exact, since Culex 132–3 really echoes not 132–3 but 133–4. The conventional line-numbering of Catullus 64 conceals the half-line 23b, progenies saluete iter …, which is invisibly missing from the manuscripts but was salvaged by Francesco Orioli from the Scholia Veronensia on Verg. Aen. 5.80 and is universally accepted. Emendations vary, but all assume a haplographic error caused by (...)
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  • A Stichometric Allusion to Catullus 64 in the Culex.Dunstan Lowe - 2014 - Classical Quarterly 64 (2):862-865.
    In a recent note, I collected instances of ‘stichometric allusion’, the technique in which poets allude, in one or more of their own verses, to source verses with corresponding line numbers. The technique existed in Hellenistic Greek poetry, but seems more prevalent (or at least, detectable) among the Latin poets of the Augustan era, who applied it to Greek and Latin predecessors alike, as well as internally to their own work. New illustrations of each type may be added here to (...)
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  • Lucretian Dido: A Stichometric Allusion.Sergio Casali - 2023 - Classical Quarterly 73 (1):472-475.
    In the fourth line of her first speech in Book 1, to Ilioneus and the Trojan castaways, Dido quotes the first word of the first line of Lucretius’ De rerum natura, and in the fourth line of her second speech, to Aeneas, she quotes the first words of the second line of the De rerum natura. This is not a coincidence but a signal of the importance of Lucretius and Epicureanism for the characterization of Dido in the Aeneid.
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