(1997). Comments: Reality and time. International Studies in the Philosophy of Science: Vol. 11, Festschrift for J. R. Lucas, pp. 97-108. doi: 10.1080/02698599708573553.

Abstract: In this paper I consider recent attempts to establish that the geometry of visual experience is a spherical geometry. These attempts, offered by Gideon Yaffe, James van Cleve and Gordon Belot, follow Thomas Reid in arguing for an equivalency of a geometry of ‘visibles’ and spherical geometry. I argue that although the proposed equivalency is successfully established by the strongest form of the argument, this does not warrant any conclusion about the geometry of visual experience. I argue, firstly, that (...) the resistance of this contemporary argument to empirical considerations counts against its plausibility. Moreover, I argue that the contemporary approach provides no compelling reason for supposing that the geometry offered as the geometry of ‘visibles’ is the correct geometrical description of visual experience. (shrink)

Drawing on work done by Helmholtz, I argue that Reid was in no position to infer that objects appear as if projected on the inner surface of a sphere, or that they have the geometric properties of such projections even though they do not look concave towards the eye. A careful consideration of the phenomena of visual experience, as further illuminated by the practice of visual artists, should have led him to conclude that the sides of visible appearances either look (...) straight, in which case their angles appear to approximate Euclidean measures, or their angles do not appear to approximate Euclidean measures for straight line figures, in which case their sides do not look straight. (shrink)

Thomas Reid's Geometry of Visibles, according to which the geometrical properties of an object's perspectival appearance equal the geometrical properties of its projection on the inside of a sphere with the eye in its centre allows for two different interpretations. It may (1) be understood as a theory about phenomenal visual space – i.e. an account of how things appear to human observers from a certain point of view – or it may (2) be seen as a mathematical model of (...) viewpoint-relative but mind-independent relational properties of objects. This paper makes a systematic and a historical claim. I shall argue, first, that given certain features of the human visual system phenomenal visual space differs in several aspects from Reidean visual space. Secondly, I suggest that, since Reid was aware of some of these empirical facts, we should interpret Reid as endorsing the second interpretation of the Geometry of Visibles. (shrink)

Making a history of the principle of inertia, as of any other principle or concept, is a complex but still possible operation. In this work it has been chosen to make a back story which seemed the most natural way for a reconstruction. On the way back, it has been decided to stop at the 6th century CE with the contribution of Ioannes Philoponus. The principle he stated, although very different from the modern one, is certainly associated with it. Going (...) back in time it is still possible and of course one could proceed to the origins of the homo sapiens who perhaps posed the problem of why a club thrown with his hand could go so far from him. But the similarities that one can find with the modern principle are very vague, too perhaps. Without going so far one could see an embryonic idea of the principle of inertia in the atomistic theory of Democritus in the 5th century BCE. The motion of atoms whirling with no apparent reason can suggest the idea that a body can also move with no reason. But the transition from the atom, a metaphysical being, to the body, an empirical being, is far from immediate. (shrink)