The conceptual and methodological contributions of Marxist aesthetics from Eastern European countries like Hungary, Yugoslavia, Poland, Czechoslovakia, Bulgaria, Romania, and East Germany were productive and significant despite various hurdles faced concerning institutionalization, legitimization and differing theoretical abuses. In its mode of inquiry and discursive practices, Eastern European Marxist aesthetics is both similar and dissimilar to its Western, Soviet, Russian and Chinese counterparts. The specificity here is the function of a unique geographical and socio-historical context, as well as interaction with other (...) contemporary paradigms of thought. The innovative impulses of Eastern European Marxist aesthetics affected six scholarly domains: aesthetics of praxis, theory of realism, critique of modernity, semiotics, theory of genre and cultural theory. This paper provides a general survey of the intellectual achievements of Eastern European Marxist aesthetics across these six domains and will show how this theoretical tradition has influenced the modern history of ideas. (shrink)

This paper discusses Eastern European Marxists’ consideration of science and technology concerning aesthetic dimensions. Different from most of Western Marxists who take negative or dystopian attitudes towards modern science and technology from the aesthetic utopian perspective, those Marxists who come from countries such as Hungary, Yugoslav, Poland, Czechoslovakia, East Germany, Bulgaria or Romania, which once belonged to the socialist camp, under the influence of Soviet and Western culture, pay attention to the complicated tension between science-technology and aesthetics. In this paper, (...) I probe into these notions by reading György Lukács, Budapest School, Romanian theorists and the Yugoslav Praxis Group, which are divided into four key points: basic nature of science in contrast with arts; modern tension of culture between science and arts; the possibility of scientific aesthetics; and development of arts in the world of technology. There is a dialectical understanding of science and technology here which contributes to contemporary recognition of science and technology from the point of view of neo-humanism, not only in aesthetics but also human existence. This is relevant to theoretical reflection on the present and future Chinese socialist aesthetics. (shrink)

The paper reviews some of the links between the notion of “ultimate reality” and everyday life, mainly art, beauty, the creative processes in art, and citizenship. If, according to M. Heidegger, art reveals the truth of being (i.e., also of ultimate reality), then we may find some historical descriptions of creative processes that are very close to descriptions of ultimate reality. Three examples of these kinds of descriptions are discussed (Abhinavagupta, St. Augustine, F. Engels). The final aim is to show (...) how the interpretation of ultimate reality can contribute to a better understanding of the creative process in art. These considerations can also throw light on one particular aspect of civil life—the relations between everyday life and its final goals. If we are to gain an understanding of the relations between ultimate reality, art and civil life, then the disciplines of aesthetics, philosophy, history and anthropology, and cultural history should all contribute together. (shrink)

In this essay I want to show that while the concept of autonomy can hardly make a meaningful contribution to the understanding of contemporary artworks, the concept of the dignity of artwork can make such a contribution.

The present paper offers a narrative of the post-World War II development of Hungarian philosophy, and argues that it is characterized by a double, historical and anthropological orientation under Marx’s influence. The resulting amalgam is an intellectual history that looks beyond the ideas themselves, searching for underlying images of man which are represented as ideological backgrounds to theories of nature, society, cognition, etc. The most important works of this approach interpret ideas and anthropologies within a Marxist framework, and see them (...) as closely linked to the social–historical circumstances in which they develop; yet, these approaches represent an alternative attitude quite different from the official ideology of dialectical materialism. (shrink)

On the occasion of the 40th anniversary of Ernst Bloch´s death and the 200th anniversary of Karl Marx´ birth, the presented study examines Bloch´s reinterpretation of the Marxist philosophy in his original concept, which is based on the self-transcendence, on the utopian horizons of the materialistic-monistic founded identities. Is the humanistic philosophy of historical progress founded ontologically enough?

The late Hungarian physicist Lajos Jánossy is respected in international physics first of all for his results achieved in the field of cosmic radiations, but his work in the alternative, Lorentzian tradition of relativity theory is also of historical importance. As an adopted son of the Hungarian Marxist philosopher, Georg Lukács, he was socialised in a left-wing spirit. He formulated a philosophical criticism of Einstein’s theory in terms of dialectical materialism in the 1950s and 1960s. In contrast to the new (...) Soviet thesis valid in Soviet ideology from 1955, he insisted that the positivist, Machian epistemological foundation determinatively influenced the physical level of Einstein’s relativity theory and distorted its real physical meaning. He also rejected the anti-commonsense character of Einstein’s new concepts of space and time and argued for the necessity of a commonsense-conform physics. However, in contrast to the Soviet critics of relativity theory of the Stalinist period, Jánossy never used ideology to destroy the scientific authenticity of Einstein’s theory, but, accepting the Einsteinian-Lorentzian mathematics as one of the great achievements of the history of physics, he announced and successfully implemented a positive program of a commonsense-conform, non-positivist, Lorentz-based reformulation of the theory. The socialcultural background of Jánossy’s reformulation of relativity theory is characterised by the strain of two contradictory elements: on the one hand, his left wing, Marxist commitment,on the other, his socialization in Western, “bourgeois” science and culture. Through a Marxist, “dialectical materialist” criticism of the positivist, Machian aspects of Einstein’s theory as well as through his work for a commonsense–conform physics, Jánossy defended not only Marxism but also the classical tradition of scientific rationalism as an essential element of European culture. (shrink)

The article considers the ideas of the early work of E.V. Ilyenkov "Cosmology of the Spirit" of necessity and inevitability of matter to create consciousness. Dialectics of subject responses to impacts of the outside world is represented from the materialist point of view: from mechanical response in inanimate nature to subject and activity-oriented nature of human consciousness.