The intellectual relationship between Carl Schmitt and Max Weber has been a point of controversy for at least half a century. At the 1964 convention of the German Sociological Association, in honor of Weber's centenary, Schmitt was famously referred to as Weber's ?legitimate student.? This article uses the chapter Schmitt specifically wrote for an edited volume in Weber's memory, published in 1923, as the starting point for juxtaposing the two scholars, and then expands the analysis to encompass a range of (...) sources and commentaries. The comparison focuses on the approach of each of the two scholars to methodology and didactics, theory and conceptual use, as well as to the society/social science nexus. The article concludes by arguing that Schmitt performed a double rhetorical move: while styling himself as Weber's student, he then drew on that authority to assault Weber's liberalism and concept of scientific integrity. (shrink)

The author examines the critique of the epoch, which German philosopher of law and political theoretician Carl Schmitt worked out in the 1920s. Since this topic is present in most of Schmitt’s works from that period, author chose to discuss three, in which this subject isn’t considered on the margins, but on the foreground: a text concerning the poem by Theodor Däubler Nordlicht, Political Romanticism and Age of Neutralizations and Depoliticizations. While the latter is well known in Poland, the first (...) two – a little worse, as well as the whole reflection and biography of Carl Schmitt in that period. The consistency with which Schmitt engaged in the criticism of the times in which he lived, allows us to show how he was born as a political thinker: main ideas of his political theology have their source in the criticism of the era. In addition, the author presents criticism created by Schmitt on the background of that one developed by other thinkers, to point out the differences between this two approaches to the same epoch. The aim of the study is, first, to bring Polish reader closer to the not-so-well-studied period of Schmitt’s reflection and biography (by reaching beyond the above-mentioned works also to the journal of Carl Schmitt, as well as his youthful literary work Schattenrisse, written together with Fritz Eisler), secondly: to present Schmitt as an original thinker of his era. (shrink)