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Chapter 9 Classification or Wonder? Coding as an Analytic Practice in Qualitative Research

In Rebecca Coleman & Jessica Ringrose (eds.), Deleuze and research methodologies. Edinburgh: Edinburgh University Press. pp. 164-183 (2013)

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  1. Theories of Immanence as a Way Forward for Teacher Education.Christina Hyer Gillespie - 2023 - Studies in Philosophy and Education 42 (6):633-647.
    The ontological turn in the humanities and social sciences has prompted some scholars of education to shift their focus of inquiry away from questions of epistemology (i.e., knowledge) to metaphysical matters related to being and the nature of existence. In this paper, I turn to ontology and make an argument for integrating and explicitly teaching theories of immanence in teacher education courses. I argue that integrating and explicitly teaching theories of immanence in teacher education courses can radically reorient students’ thinking, (...)
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  • The poetics of vulnerability: creative writing among young adults in treatment for psychosis in light of Ricoeur’s and Kristeva’s philosophy of language and subjectivity.Oddgeir Synnes, Kristin Lie Romm & Hilde Bondevik - 2021 - Medicine, Health Care and Philosophy 24 (2):173-187.
    There is a growing interest in the application of creative writing in the treatment of mental illness. Nonpharmacological approaches have shown that access to poetic, creative language can allow for the verbalisation of illness experiences, as well as for self-expressions that can include other facets of the subject outside of the disease. In particular, creative writing in a safe group context has proven to be of particular importance. In this article, we present a pilot on a creative writing group for (...)
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  • Thinking with Deleuze and Guattari: An exploration of writing as assemblage.Christopher Hanley - 2019 - Educational Philosophy and Theory 51 (4):413-423.
    We need to keep experimenting with writing to meet the challenges of Deleuze and Guattari’s flattened ontology in the humanities. The paper reports on a small, experimental research project at a university in the north-west of England. The findings are written in an experimental mode, inspired by the Deleuze and Guattarian concept, ‘assemblage’. The experiment is theorised and assessed in a non-reductive way that offers future creative possibilities to other researchers. First, the paper presents a context for the subsequent experimental (...)
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