In The Use of Pleasure, Michel Foucault suggests that it is possible to read Walter Benjamin’s writings on Baudelaire as a contribution to a genealogy of ethics. This article experiments with reading Benjamin in this way. It shows that a distinctive analysis of each of the four elements of Foucauldian ethics (ethical substance, mode of subjectivation, ethical practice and telos) can be found in Benjamin’s work on Baudelaire and the Paris arcades. Specifically, the article makes the case for reading Benjamin (...) in terms of his valuable contribution to understandings of the role played by art in modern forms of ‘parrhesia’, or courageous truth-telling. However, whereas Foucault’s notion of ‘arts of living’ focuses on challenging actual relations of power, Benjamin’s focuses on activating potential forms of power. In this way, Benjamin’s ethical framework tests the limits of Foucault’s conceptualization of the government of self and others. (shrink)

In his later lectures, Foucault analyzes confession as a key exercise of the Christian pastoral power. The pastoral power’s creation of a lifelong obligation to speak the truth of oneself is a ‘prelude’ to modern practices of government, and a key facet of modernity. There has been some confusion regarding the scope of Foucault’s study. Is it medieval Christian confessional practices or Christian obedience itself that is his theme? In this article, I revisit all of the later lectures touching on (...) confession and avowal in order to clarify Foucault’s ambivalence about Christian proto-governmentality. Foucault exposes two regimes of truth, belief and confession, and offer a practice-based, confession-centred history of the pre-modern self. Connecting his lectures to his method of anarchaeology clarifies how the force of truth (the ‘you have to’) is, for Foucault, a fundamental if ambivalent historical-cultural problem of government. (shrink)

In line with a particular form of analysis as developed by Michel Foucault, this article proposes to elucidate a particular way of understanding Buddhist monastic culture as detailed in the rules concerning behaviour (the Vinaya), which may be called the “care of the self approach”. To develop this argument, the article first describes the nature of the Vinaya as a “training scheme” rather than a system of prohibitions or rules. Second, it examines the nature of confession or what is called (...) “truth telling”. Third, it examines the nature of transgression of the Vinaya rules. Fourth, I examine the Vinaya and the role of ethics. Lastly, it is shown how these approaches to monastic Buddhism deal with the nature of the transformation of desire to construct what may be seen as a form of “ethical technology” or alternatively as a “transgressive technology”. (shrink)

Taking its cue from Michel Foucault’s analyses of the pastoral ‘conduct of conduct’, this paper considers social media as a specific dispositif that derives its mode of operation from the religious techniques of individualization. It argues that today’s preoccupation with digital performances, far from exorcizing the pastoral logic, in fact manifests its secular intensification. By examining social media practices through the lens of the sacramental paradigm of confession, the article shows how the digitalization of the pastoral directive culminates in the (...) production of spectral subjects. These spectral subjects, it contends, function as the conduits of the dominant power, guaranteeing the persistence of capitalism by embodying the imperative to complete economization. (shrink)