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Wagner and Philosophy

Penguin UK (2001)

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  1. Max Stirner’s Ontology.John Jenkins - 2014 - International Journal of Philosophical Studies 22 (1):3-26.
    In his book The Ego and Its Own Max Stirner describes what happens when individuals subordinate themselves to an absolute or a universal idea in order to reap the associated ‘rewards’. What he calls ‘involuntary’ or ‘unconscious’ egoism are faulty versions of practical reason because they involve alienation, the pursuit of something that can never be attained by the individual. These forms of egoism characterise the rationality of agents who submit themselves to an absolute. However, proper egoism, as understood by (...)
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  • The body of sublime knowledge: The aesthetic phenomenology of Arthur Schopenhauer.James Luchte - 2009 - Heythrop Journal 50 (2):228-242.
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  • Information retrieval (IR) and the paradox of change: An analysis using the philosophy of Parmenides.Cv Thornley - unknown
    Purpose – This paper aims to explore whether philosophical insights from Plato's dialogue “Parmenides” on the complex and often paradoxical nature of change can illuminate the nature of information retrieval (IR). IR is modelled as a dialectic process involving mutually dependent yet conflicting forces between the subjective and the objective. These forces operate to produce change in the subjective experience of users (becoming informed) through facilitating a relationship with objective documents. Accurately modelling, predicting and enabling this process remains a persistent (...)
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  • Aesthetics of Opera.Paul Thom - 2011 - Philosophy Compass 6 (9):575-584.
    An inclusive sense of ‘opera’ is distinguished from the Western high‐art sense. The problem of aesthetic unity in opera is discussed in relation to hybrid art forms ; specific operatic styles ; individual operatic productions and performances . The article includes links to video clips from operatic performances.
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