Switch to: References

Add citations

You must login to add citations.
  1. A politics of reminding: Khoisan resurgence and environmental justice in South Africa’s Sarah Baartman district.Scott Burnett, Nettly Ahmed, Tahn-dee Matthews, Junaid Oliephant & Aylwyn M. Walsh - 2023 - Critical Discourse Studies 20 (5):524-539.
    In the wake of colonial fragmentation and genocide, Indigenous ‘Khoisan resurgence’ movements in South Africa have mobilised subversive forms of authenticity, including heteroglossic and inventive translanguaging from fragments of Khoekhoegowab. In our analysis of video ethnographic texts produced in collaboration with the Gamtkwa Khoisan Council (GKC) in Hankey, the birthplace of Sarah Baartman, we explore how memory, language politics, and environmental activism are interwoven in acts of linguistic citizenship that constitute the ‘rememorying’ of a history that has remained persistently obscured. (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Feminist originalism: Intersectionality and the politics of reading.Jennifer C. Nash - 2016 - Feminist Theory 17 (1):3-20.
    This article examines the growing body of commemorative feminist work on intersectionality – the myriad journals and books that have marked intersectionality’s twentieth anniversary and celebrated the analytic’s field-defining status and cross-disciplinary circulation. I argue that this commemorative scholarship is marked by its own genre conventions, including the emergence of originalism, an investment in returning to the ‘inaugural’ intersectional texts – namely Crenshaw’s two articles (1989, 1991) – and assessing later feminist work on intersectionality by its fidelity to those texts. (...)
    Download  
     
    Export citation  
     
    Bookmark   10 citations  
  • Skin/ned Politics: Species Discourse and the Limits of “The Human” in Nandipha Mntambo's Art.Ruth Lipschitz - 2012 - Hypatia 27 (3):546-566.
    In this paper I focus on recent artworks by South African artist Nandipha Mntambo. I read these for the ways in which the discourse of species works within and against the humanist sacrificial economy of the subject that Jacques Derrida calls “carno-phallogocentric”. Drawing on Derrida's “metonymy of ‘eating well,'” Achille Mbembe's analysis of colonial violence, and Julia Kristeva's theory of abjection, I argue that these works inscribe and disturb a speciesist, sexual, and racial politics of animalization, and do so by (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • The “Batty” Politic: Toward an Aesthetic of the Black Female Body.Janell Hobson - 2003 - Hypatia 18 (4):87-105.
    I assess representations of black women's derrieres, which are often depicted as grotesque, despite attempts by some black women artists to create a black feminist aesthetic that recognizes the black female body as beautiful and desirable. Utilizing a black feminist disability theory, I revisit the history of the Hottentot Venus, which contributed to the shaping of this representational trope, and I identify a recurring struggle among these artists to recover the “unmirrored” black female body.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • The "Batty" Politic: Toward an Aesthetics of the Black Female Body.Janell Hobson - 2003 - Hypatia 18 (4):87-105.
    I assess representations of black women's derrières, which are often depicted as grotesque, despite attempts by some black women artists to create a black feminist aesthetic that recognizes the black female body as beautiful and desirable. Utilizing a black feminist disability theory, I revisit the history of the Hottentot Venus, which contributed to the shaping of this representational trope, and I identify a recurring struggle among these artists to recover the "unmirrored" black female body.
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  • The “Batty” Politic: Toward an Aesthetic of the Black Female Body.Janell Hobson - 2003 - Hypatia 18 (4):87-105.
    I assess representations of black women's derrieres, which are often depicted as grotesque, despite attempts by some black women artists to create a black feminist aesthetic that recognizes the black female body as beautiful and desirable. Utilizing a black feminist disability theory, I revisit the history of the Hottentot Venus, which contributed to the shaping of this representational trope, and I identify a recurring struggle among these artists to recover the “unmirrored” black female body.
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • The cultural semiotics of African encounters: Eighteenth-Century images of the Other.David Dunér - 2020 - Semiotica 2020 (232):103-146.
    This a contribution to the cultural semiotics of African cultural encounters seen through the eyes of Swedish naturalists at the end of the eighteenth century. European travellers faced severe problems in understanding the alien African cultures they encountered; they even had difficulty understanding the other culture as a culture. They were not just other cultures that they could relate to, but often something completely different, belonging to the natural history of the human species. The Khoikhoi and other groups were believed (...)
    Download  
     
    Export citation  
     
    Bookmark