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  1. L’inépuisabilité de l’œuvre littéraire: Réflexion autour de L’œuvre ouverte de Umberto Eco.Aurélien Djian - 2021 - Phainomenon 32 (1):119-163.
    This paper focuses on the main claim of Umberto Eco’s Open Work, according to which any work of art is an inherently ambiguous message, i.e. is inexhaustible, or in principle likely to be the object of an infinite number of interpretations. It does so, first, by restricting itself to the specific topic of the literary work of art, and, secondly, by making a detour, that Eco himself suggests, though he does not really explore it, via Sartre’s ontological phenomenology. This detour (...)
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  • Husserl’s philosophical estrangement from the conjunctivism-disjunctivism debate.Andrea Cimino - 2020 - Phenomenology and the Cognitive Sciences 20 (4):743-779.
    Various attempts have been made recently to bring Husserl into the contemporary analytic discussion on sensory illusion and hallucination. On the one hand, this has resulted in a renewed interest in what one might call a ‘phenomenology of sense-deception.’ On the other hand, it has generated contrasting—if not utterly incompatible—readings of Husserl’s own account of sense perception. The present study critically evaluates the contemporary discourse on illusion and hallucination, reassesses its proximity to Husserl’s reflection on sensory perception, and highlights the (...)
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