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Individuum and region of being: On the unifying principle of Husserl’s “headless” ontology: Section I, chapter 1, Fact and essence

In Andrea Sebastiano Staiti (ed.), Commentary on Husserl's "Ideas I". Boston: De Gruyter. pp. 33-50 (2015)

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  1. Imagination in the Midst of Life: Reconsidering the Relation Between Ideal and Real Possibilities.Julia Jansen - 2020 - Husserl Studies 36 (3):287-302.
    In this article I address the idea that in Husserl’s eidetic ontology all possibilities are fixed ‘in advance’ so that actual objects and events—despite their contingency—can only ever unfold possibilities that are ‘permitted’ to them by their essences. I show how this view distorts Husserl’s ontology and argue that this distortion stems from a misconstrual of the relations between essences and facts, and between ideal and real possibilities. These ‘local’ misconstruals reflect, I contend, a ‘global’ misunderstanding that mistakes descriptive distinctions (...)
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  • Husserl’s Revision of the Ideas 1: Account of Concrete Individuals in a 1918 Manuscript.Michele Averchi - forthcoming - Husserl Studies:1-20.
    In this paper, I present an important, yet hitherto neglected, development within Husserl’s phenomenological formal ontology. The first sixteen paragraphs of Ideas 1 serve as the point of departure for my presentation. In these paragraphs, Husserl presents the category of “concretum”, or concrete individual, as the cornerstone of his whole formal-ontological framework. The aim of this paper is to present and discuss a revision of the account of the concrete individual Husserl develops in his Ideas 1 in 1918 in a (...)
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  • Phenomenology of Reading and the Idea of a Literary Science.Aurélien Djian - 2020 - Methodos 20.
    L’enjeu de cet article est de justifier l’idée d’une fondation phénoménologique, d’inspiration husserlienne, d’une science de la littérature. Cette fondation implique la description de la corrélation eidétiquement distincte dans laquelle le sens de l’œuvre littéraire vient à se constituer, à savoir celle de la quasi-lecture, que nous esquissons dans un premier temps. Le principe d’une science de l’œuvre littéraire est ensuite garanti sur la base d’une analyse de son caractère de phantasia mise en forme et sur la structure spécifique d’horizon (...)
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  • “Self-Variation”: A Problem of Method in Husserl’s Phenomenology.Daniele De Santis - 2020 - Husserl Studies 36 (3):255-269.
    This paper aims at offering a concise, yet systematic, presentation of the Husserlian method of “self-variation” in connection to eidetic variation sic et simpliciter. After a brief review of the different meanings of this method in Husserl’s writings, I will focus on the way in which Husserl employs it to bring the eidos “ego” to the fore. To this end, I will take into account the specific subject matter of self-variation by resorting to a twofold concept of essence as well (...)
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  • Husserl on Eidetic Norms.Emanuela Carta - 2021 - Husserl Studies 37 (2):127-146.
    Edmund Husserl often characterizes essences and eidetic laws in normative terms. Many of his statements to this effect are however highly puzzling as they appear at odds with Husserl’s general understanding of normativity. In this paper I focus on this puzzle and I argue that we can reconcile most of the apparent tensions between these two dimensions of Husserl’s philosophical thought. In the first part of the paper, drawing on the contemporary literature on kinds of norms, I focus on Husserl’s (...)
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