Lucan's "Bellum Civile" is a poem filled with ethical contradictions. This paper contends that at least some of these contradictions can be traced to competing views regarding the composition of the community in civil war: the view that one's opponent is a civis and the view that he is a hostis are available simultaneously. Therefore the position that it is morally wrong to attack a member of one's own community competes with the position that it is morally right to use (...) violence against an enemy. The Pompeians tentatively and rather sporadically embrace the former view, while the latter view is more strongly characteristic of the Caesarians; the outcome of the battle of Pharsalus accords with this distribution of ethical stances. Yet these conflicting discourses and opposing views of the community are present not only in the voices of the various characters, but also in the narrative voice itself; such contradictions even within a single voice are inevitable artifacts of civil war as Lucan represents it. By portraying this competition in ethical discourses as he does, Lucan makes his civil war a context in which he can recreate and participate in the ideological struggles of Neronian Rome. (shrink)

An anonymous biography of Lucan known as the Life of Vacca attributes to the poet the composition of a work called Siluae. This information has been accepted by scholars with regard to both Lucan and Statius, thus transforming Lucan into a predecessor of Statius’ Siluae. This article seeks to demonstrate that neither the manuscript tradition of Lucan's biography nor alleged references to Lucan's Siluae in Statius’ collection substantiate the affirmation that Lucan composed a work called Siluae. It is argued that (...) the Life of Vacca is most probably late and its very long catalogue of works (mostly problematic or otherwise unknown) aggrandizes Lucan in response to the need for a commendatory biography of the poet when he became a school author. Pomponio Leto is responsible for perpetuating the mention of Lucan's Siluae by including it in his influential biography of Lucan (the first to reach the printed press). It is further argued that the circumstances of the tradition of Statius’ Siluae explain Leto's acceptance of Lucan's work of the same title. Leto was working on a commentary on the recently rediscovered Siluae, which explains his inclusion of a work called Siluae in his biography of Lucan, a great poet who had preceded Statius. Finally, this article deconstructs the theories that find references to Lucan's Siluae in Statius’ Siluae or that justify Statius’ silence about Lucan's Siluae with its political motifs. (shrink)

The recognition of the similarities between Roman epic poetry and historiography have led to valuable studies such as Joseph’s analysis of the relationship between Lucan’s Bellum Civile and Tacitus’ Histories. Traces of Lucan’s Bellum Civile can also be observed in Tacitus’ Annals 1 and 2, causing the beginning of Tiberius’ reign to look like a civil war in the making. The charismatic Germanicus sits with a supportive army on the northern frontier, much like Caesar, causing fear for Tiberius at Rome. (...) Germanicus denies his chance to become the next Caesar and march on the city, but he exhibits other similarities with Lucan’s Caesar, including an association with Alexander the Great. Although at some points Germanicus seems to be repeating the past and reliving episodes experienced by Caesar in Bellum Civile, he prevents himself from fully realizing a Caesarian fate and becoming Lucan’s bad tyrant. The similar images, events, and themes presented by both authors create messages that reflect experiences from the authors’ own lives during dangerous times. (shrink)

The Bellum ciuile has been the subject of three major editions in the past thirty years, attributable to D.R. Shackleton Bailey, R. Badalì and G. Luck. The existence of these three works highlights the resurgence of sustained interest surrounding Lucan as of the 1970s, with the publication of two significant works, Lucan: An Introduction by F. Ahl and the collective volume of Entretiens à la fondation Hardt, yet it also demonstrates the difficulty in establishing the text of the Pharsalia.