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Counterpath: traveling with Jacques Derrida

Stanford, Calif.: Stanford University Press. Edited by Jacques Derrida (2004)

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  1. war and the memory of Nagasaki.Maja Zehfuss - 2015 - Thesis Eleven 129 (1):57-71.
    On the 70th anniversary of the bombings of Hiroshima and Nagasaki the world remains marked by violent conflict and the possibility of nuclear war. This seems an apt moment to ask whether the bombings have left a trace in our thinking. This article thus explores how particular articulations of their memory or, alternatively, failures to articulate such a memory, conjure up our world: how they represent and account for violence and how, if at all, they assign specific significance to nuclear (...)
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  • Blessed, precious mistakes: deconstruction, evolution, and New Atheism in America.Donovan O. Schaefer - 2014 - International Journal for Philosophy of Religion 76 (1):75-94.
    This paper explores the ways that Daniel C. Dennett’s bestselling 2006 book Breaking the Spell traffics in a set of distinctly American presumptions about the relationship between religion and science. In this Americanized atheism, religion is presumed to be a set of logically organized propositional beliefs–a misbegotten science in need of correction or elimination. I show that a convergent critique, drawing on both evolutionary theory and deconstruction, highlights the limitations of this approach. This convergence highlights the theme of accident in (...)
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  • Towards Law and Music: Sara Ramshaw, Justice as Improvisation: The Law of the Extempore.Desmond Manderson - 2014 - Law and Critique 25 (3):311-317.
    Through a review of Sara Ramshaw’s, Justice as Improvisation, the essay evaluates recent scholarly directions in the interdisciplinary field of law and music. The essay considers both methodological and epistemological questions motivating this scholarship, and argues that there yet remains the opportunity to pursue with even greater specificity the meaning of music, in terms of its own vocabulary and genre. The new field of law and music is slowly but surely combining these formal considerations with an ever richer vocabulary, and (...)
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  • Catherine Malabou, Plasticity at the Dusk of Writing: Dialectic, Destruction, Deconstruction, New York: Columbia University Press, 2010. Hardback. 96 pp. ISBN 978-0-2311-4524-4. [REVIEW]Chris Lloyd - 2013 - Derrida Today 6 (2):265-270.
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  • Educational Plasticity: Catherine Malabou and ‘the feeling of a new responsibility’.Emile Bojesen - 2015 - Educational Philosophy and Theory 47 (10):1039-1051.
    This paper attempts to reintegrate the concept of plasticity into educational philosophy. Although John Dewey used the concept in Democracy and Education it has not generated much of a critical or practical legacy in educational thought. French philosopher, Catherine Malabou, is the first to think plasticity rigorously and seriously in a contemporary philosophical context and this paper outlines her thinking on it as well as considering its applicability to education. My argument is that her definition not only successfully reintroduces the (...)
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