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Roger Bacon on equivocation

Vivarium 22 (2):85-112 (1984)

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  1. Conception, Connotation, and Essential Predication: Peter Auriol’s Conceptualism to the Test in II Sententiarum, d. 9, q. 2, art. 1.Giacomo Fornasieri - 2021 - Analiza I Egzystencja 1 (54):81-126.
    This paper comprises two parts. The first part is an introduction to Auriol’s moderate conceptualism, as it is presented in his Commentary on Book II of the Sentences, distinction 9, question 2, article 1. The second part is an edition of the text. In the introduction, I focus on Auriol’s use of the noetic tool of connotation. My thesis, in particular, is that connotation is a necessary prerequisite to his moderate conceptu- alism. To this purpose, the first part of this (...)
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  • (1 other version)Roger Bacon.Jeremiah Hackett - 2008 - Stanford Encyclopedia of Philosophy.
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  • Omnis homo de necessitate est animal: Significación Y referencia vacía en la segunda mitad Del siglo 13.Ana María Mora Márquez - 2015 - Kriterion: Journal of Philosophy 56 (131):271-289.
    A questão "se uma elocução perde seu significado com a destruição das coisas "surge como uma questão sobre o valor-verdade de declarações com um termo vazio como sujeito, a saber, como um subproblema do sofisma "Se 'omnis homo de necessitate est animal' é verdade quando não há homem algum ". Neste trabalho, trarei as discussões conforme elas se apresentam em "De signis" IV.2 de Roger Bacon, em "Quaestiones logicales", q. 2–3 de Peter John Olivi, no OHNEA de Boethius of Dacia, (...)
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  • Evidence of Things Seen: Univocation, Visibility and Reassurance in Post-Reformation Polemic.Joshua Rodda - 2015 - Perichoresis 13 (1):57-74.
    This article reaches out to the audience for controversial religious writing after the English Reformation, by examining the shared language of attainable truth, of clarity and certainty, to be found in Protestant and Catholic examples of the same. It argues that we must consider those aspects of religious controversy that lie simultaneously above and beneath its doctrinal content: the logical forms in which it was framed, and the assumptions writers made about their audiences’ needs and responses. Building on the work (...)
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