Despite the later prominence of apocalypticism in John Dee’s ‘angelic conversations’ in the years 1583–85, his correspondence with Roger Edwardes in 1580 about the correct interpretation of eschatological passages in the bible has received surprisingly little attention in Dee scholarship. In this article I give an account of Edwardes’s ill-fated political career, and the apocalyptical writings which he sent to divines in England and Germany for validation. These apocalyptical reflections, which Dee called ‘the boke of Domes Day’, were the subject (...) of the Dee–Edwardes correspondence. Whereas the divines with whom he corresponded were largely lukewarm, Edwardes found a sympathetic reader in Dee. I conclude by considering the significance of the Dee–Edwardes correspondence for Dee’s increasingly apocalyptical outlook, which began in 1564 with prophecies concerning the Habsburg dynasty in his Monashieroglyphica, and reached a fever pitch in the 1580s when he began working with the ‘skryer’ Edward Kelley. The careers of Dee and Edwardes have in common a belief in inspired exegesis and prophetic singularity, and I show that one can detect traces of Edwardes’s concern for the redemption of the Jewish people in Dee’s angelic writings. (shrink)

Hobbes's Leviathan transformed forever the meaning of the term, long debated by Biblical commentators. Alternatively, in the Book of Job chapter 41, a great chthonic beast, or Lucifer?like ?King of all the Children of Pride?, Leviathan for Hobbes was a figure for the modern state. Recent work by Quentin Skinner and Noel Malcolm treats Leviathan as in part a story about representation. But by juxtaposing the thesis of Carl Schmitt, juridical architect of the Third Reich, and author if his own (...) startling Leviathan, which reads the Biblical Beast as representing the state as demonic machine, we see not only Hobbes's purpose in invoking the God of fear, but also how it served as a self?fulfilling prophecy. (shrink)

This article addresses the modern concept of sovereignty as a multivocal and conflictual semantic field, arguing for the necessity to trace its genealogy based on the structural tensions that haunt its logical framework – as well as its representations – rather than on a linear historiographic reconstruction. In particular, the scrutiny I propose aims to examine a series of exchanges that have been characterizing this concept since the beginning: the global and the European, the maritime and the territorial, the colony (...) and the state, the imperial and the proprietary. The problematic balance between ‘imperium’ and ‘dominium’ is indeed assumed here as the turning point of the rise of a sovereign power that appears to be originally rooted in the very production and governance of the global space, thus giving up all possible Eurocentric narratives of modernity. To illustrate my argument, I focus on the frontispieces to three of Thomas Hobbes’s most important books, that is, his translation of Thucydides’ Peloponnesian Wars, De Cive and Leviathan. A thorough analysis of these images enables us to understand how these lines of force traverse the very heart of modern European political concepts, along with the mirroring effects that constantly bounce their normative construction of subjectivity back and forth from the periphery to the centre and, ultimately, from the market to the state. (shrink)

In recent years, we have witnessed renewed interest in metaphors in political theory. In this context, Hobbes’s theory of metaphor is of great importance as it helps us understand aesthetic qualities in theory and politics. This article argues that in the work of Hobbes – often portrayed as hostile to the use of metaphor, especially so by himself – there is a remarkable discrepancy between his professed enmity to metaphor and his own use of the very word ‘metaphor’. In a (...) philosopher who censures conceptual imprecision, we find a fundamentally inconsistent and ever-changing use of this key term. This inconsistency can be accounted for if we relate it to Hobbes’s own often neglected poetics and his theory of the need for conceptual innovation. This will help solve riddles that have haunted Hobbes studies. Moreover, we must discover Hobbes’s theory of metaphor as a source of potential insights into the way in which political and theoretical languages operate with regard to aesthetic pleasure through linguistic change. Hobbes’s theory can thus make us understand the importance of something being new, that is, how theoretical languages need novelty in order to be pleasant and persuasive. (shrink)

This article addresses the modern concept of sovereignty as a multivocal and conflictual semantic field, arguing for the necessity to trace its genealogy based on the structural tensions that haunt its logical framework – as well as its representations – rather than on a linear historiographic reconstruction. In particular, the scrutiny I propose aims to examine a series of exchanges that have been characterizing this concept since the beginning: the global and the European, the maritime and the territorial, the colony (...) and the state, the imperial and the proprietary. The problematic balance between ‘imperium’ and ‘dominium’ is indeed assumed here as the turning point of the rise of a sovereign power that appears to be originally rooted in the very production and governance of the global space, thus giving up all possible Eurocentric narratives of modernity. To illustrate my argument, I focus on the frontispieces to three of Thomas Hobbes’s most important books, that is, his translation of Thucydides’ Peloponnesian Wars, De Cive and Leviathan. A thorough analysis of these images enables us to understand how these lines of force traverse the very heart of modern European political concepts, along with the mirroring effects that constantly bounce their normative construction of subjectivity back and forth from the periphery to the centre and, ultimately, from the market to the state. (shrink)