(2005). Was Pierre Duhem a Precursor of Postmodernism? Angelaki: Vol. 10, continental philosophy and the sciences the french tradition issue editor: andrew aitken, pp. 27-38.

Les origines de la statique, published in 1905 by physicist and historian of physical theories Pierre Duhem, offers not only a radically new interpretation of the history of statics but also represents a milestone in the methodology of history of science thanks to a particular form of historical reasoning as deployed by the author to justify his hypotheses. This article uses a quantitative analysis of the references contained in the book’s footnotes in order to study the way Duhem validated his (...) assertions. We highlight in particular his relentless will to return to the original texts. This method is one of the reasons why Duhem’s book (and more generally the Duhemian methodology) had such a lasting impact on French epistemology. (shrink)

Duhem regarded the history of physical science as carrying a twofold lesson for the practicing physicist. First, history revealed the slow, groping, yet continuous development of physical theory toward a true description of the relations among natural entities. Second, history also unmasked false explanations and metaphysical beliefs that might seduce the unwary scientist into following an unfruitful line of research. This paper brings forth the central images underlying Duhem's historiographical project and uses the papers by S. Menn and W. A. (...) Wallace to ask what Duhem's enterprise actually meant in practice. I argue that the main question is the following: What is to count as the proper space of historical meaning and explanation? Strong Duhemians, such as S. Menn, purchase the longue durée at the cost of making historical agents into completely passive transmitters of conceptual homologies; weak Duhemians, such as W. A. Wallace, shorten the temporal distance between agents and permit thereby a modicum of conflict and negotiation within physical theory while still seeking to preserve long-term conceptual genealogies. Both positions, it is argued, allow insufficient room for actors' categories to determine the space of cultural analysis. (shrink)