Switch to: References

Citations of:

Introduction

In Deleuze and Design. Edinburgh University Press (2015)

Add citations

You must login to add citations.
  1. Collisions, Design & The Swerve.Jamie Brassett & John O'Reilly - 2018 - In .
    If only everything were formed of neat laminar flows, with easy to understand conditions, and determinable outcomes: there would be no risk to manage out, messy inconsistencies and uncertainties to disrupt well-laid out plans. Things are not so clear-cut however. Indeed, as scientists, poets and philosophers of science have pointed out it is under conditions of nondeterminism and complexity that everything comes into being. There is an issue, then, when creative disciplines in particular find such complexity problematic enough to design (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Speculative Machines and Technical Mentalities. A philosophical approach to designing the future.Jamie Brassett - unknown
    ‘Beyond their instrumental functions,’ writes Rivka Oxman in an article about design, creativity and innovation, ‘advanced digital and computational environments are also becoming tools for thinking design’. At the leading edge of creativity and innovation design does not only speculate the plausible, possible or potential, but pragmatically inserts such futures into the present must). Using concepts mainly from Deleuze, Guattari, Spinoza and Simondon, I will position such design speculation as pragmatic, divergent, complex and emergent. That is, as manifesting the technical (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  • The un-designability of the virtual. Design from problem-solving to problem-finding.Marenko Betti - 2018 - In Gretchen Coombs, Andrew McNamara & Gavin Sade (eds.), Undesign: Critical Practices at the Intersection of Art and Design. Routledge.
    Drawing on Gilles Deleuze this chapter investigates the virtual as what problematizes the possible by inserting contingency in the process of emergence of the new. The tension between the virtual as what is uniquely placed to engender true innovation, and its aleatory and unforeseeable nature mirrors the tension existing in design between form-making and the need to acknowledge contingency. In embracing the un-designability of the virtual, design is called to take contingency and material variability as forces impinging on the process (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Creating Affective Social Design: An ethical and ontological discussion.Jamie Brassett - 2018 - Cubic Journal 1 (1).
    The ethics of designing has often been organised according to moral imperatives, and social design not only aligns with such moralities, but perpetuates them without providing a clear critique of the systems to which they adhere. To rid itself of such reactive ideologies, and so to create other conditions for the possibility of its creativity, social design might occupy itself with a different account of ethics altogether. This paper will seek to elucidate such a different ethics along the lines Baruch (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations