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The Unconcept: The Freudian Uncanny in Late-Twentieth-Century Theory

State University of New York Press (2011)

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  1. The Uncanniness of the Ordinary: Aesthetic Implications of Stanley Cavell’s Rethinking of Das Unheimliche.Lorenzo Gineprini - 2023 - Open Philosophy 6 (1).
    Through the many reinterpretations of Freud’s essay Das Unheimliche (1919) within French Postmodernism, in recent decades, the uncanny has become a vague synonym for the methodology of deconstruction. The article aims to disambiguate the uncanny by reestablishing its characterizing nucleus and relocating it within the aesthetics through the philosophy of Stanley Cavell. The American philosopher claims that this feeling can be generated by drawing attention to the ordinary, which is so close and familiar to fade out of focus. Cavell and (...)
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  • What is the Uncanny? A Philosophical Enquiry.Mark Windsor - 2017 - Dissertation, University of Kent
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  • Halloween, Organization, and the Ethics of Uncanny Celebration.Simon Kelly & Kathleen Riach - 2020 - Journal of Business Ethics 161 (1):103-114.
    This article examines the relationship between organizational ethics, the uncanny, and the annual celebration of Halloween. We begin by exploring the traditional and contemporary organizational function of Halloween as ‘tension-management ritual’ :44–59, 2000) through which collective fears, anxieties, and fantasies are played out and given material expression. Combining the uncanny with the folkloric concept of ostension, we then examine an incident in which UK supermarket retailers made national news headlines for selling offensive Halloween costumes depicting ‘escaped mental patients’. Rather than (...)
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  • Don't Mind the Gap: Sinology as an Art of In‐Betweenness.Nicolas Standaert - 2015 - Philosophy Compass 10 (2):91-103.
    Sinology is like a Chinese ritual dance: the key is not the movement, but rather the positions , the moments of non-action ‘in between’, that make rhythm and transformation possible. Sinology itself occupies an in-between position in the landscape of academic disciplines, though it is not the only one to undertake this dance, as various disciplines engage themselves into a similar quest. Its distinctiveness as intellectual inquiry is to point at intervals, interstices, gaps, cracks, pauses, poses, in-between moments or zones (...)
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  • The Uncanny Challenge of Self-Cultivation in the Anthropocene.Jan Varpanen, Antti Saari, Katri Jurvakainen & Johanna Kallio - 2022 - Studies in Philosophy and Education 41 (3):345-362.
    Self-cultivation—taking pedagogical action to educate oneself—is an integral part of non-formal adult education. Ever since Greek antiquity, it has been a central ingredient in the western philosophical and educational tradition. However, we argue that the global challenges that have emerged in the present era of the ecological crisis call for a new kind of understanding of this basic educational phenomenon. Based in particular on recent work in dark ecology and its central concept of the ‘uncanny’, we outline a few key (...)
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  • From the cyborg to the apparatus : figures of posthumanism in the philosophy of Giorgio Agamben and the contemporary performing arts of Kris Verdonck.Kristof van Baarle - 2018 - Dissertation, Universitet Gent
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