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  1. Mechanisms of Reference Frame Selection in Spatial Term Use: Computational and Empirical Studies.Holger Schultheis & Laura A. Carlson - 2017 - Cognitive Science 41 (2):276-325.
    Previous studies have shown that multiple reference frames are available and compete for selection during the use of spatial terms such as “above.” However, the mechanisms that underlie the selection process are poorly understood. In the current paper we present two experiments and a comparison of three computational models of selection to shed further light on the nature of reference frame selection. The three models are drawn from different areas of human cognition, and we assess whether they may be applied (...)
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  • New Percepts via Mental Imagery?Fred W. Mast, Elisa M. Tartaglia & Michael H. Herzog - 2012 - Frontiers in Psychology 3.
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  • Mental and perceptual feedback in the development of creative flow.Genevieve M. Cseh, Louise H. Phillips & David G. Pearson - 2016 - Consciousness and Cognition 42 (C):150-161.
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  • Mental imagery and synaesthesia: Is synaesthesia from internally-generated stimuli possible?Mary Jane Spiller & Ashok S. Jansari - 2008 - Cognition 109 (1):143-151.
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  • A sketch is not enough: Dynamic external support increases creative insight on a guided synthesis task.David G. Pearson & Robert H. Logie - 2015 - Thinking and Reasoning 21 (1):97-112.
    Although external representations, such as sketches, are regarded as facilitating insight during creative synthesis and design tasks, previous empirical studies have provided conflicting evidence in support of this role. Here, we argue sketches are static representations that fail to fully externalise mental imagery processes involved during creative synthesis tasks. An experiment is reported in which participants manipulate simple alpha-numeric and geometric shapes into patterns depicting familiar objects or symbols. Trials were performed using either mental imagery alone, drawing manipulations in the (...)
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  • Eye movements during visual imagery and perception show spatial correspondence but have unique temporal signatures.Lilla M. Gurtner, Matthias Hartmann & Fred W. Mast - 2021 - Cognition 210 (C):104597.
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  • The Analog-Digital Distinction Fails to Explain the Perception-Thought Distinction: An Alternative Account of the Format of Mental Representation.Piotr Kozak - 2021 - Studia Semiotyczne 35 (1):73-94.
    The format of mental representation is the way information is organized in the mind. The discussion surrounding the format of representation addresses the problem of what representational primitives are and the rules of information processing. In philosophy, the discussion is dominated by the distinction between analog and digital representational systems. It is thought that this distinction can bring us closer to an understanding of the nature of perceptual and discursive representations. I argue that the analog-digital distinction cannot meet that expectation. (...)
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  • Mental Imagery for Musical Changes in Loudness.Freya Bailes, Laura Bishop, Catherine J. Stevens & Roger T. Dean - 2012 - Frontiers in Psychology 3.
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