ABSTRACT In his contribution to the second part of this special issue, Storrs McCall criticizes the solution to his puzzle that we put forward in the first part of the issue. In this paper, we expand on our solution and defend it from his objections.

ABSTRACT In their contribution to the first part of this special issue Craig Bourn and Emily Caddick Bourne claim to have solved a puzzle I put forward in my ‘An Insoluble Problem’. Here I argue that their attempt fails.

Causal loops are a recurring feature in the philosophy of time travel, where it is generally agreed that they are logically possible but may come with a theoretical cost. This paper introduces an unfamiliar set of causal loop cases involving knowledge or beliefs about the future: self-fulfilling prophecy loops (SFP loops). I show how and when such loops arise and consider their relationship to more familiar causal loops.

ABSTRACT This essay is an introduction to Time and Reality I, the first part of a special issue dedicated to the philosophy of time. Here I outline a number of new trends in philosophical theorizing about time, detailing how the various contributions fit into the picture. I argue that there has been a potentially misleading tendency to separate the debate over the passage of time from the debate over the reality of tense. This has obscured a number of interesting philosophical (...) questions. One of the aims of this volume is to bring these two issues together, where they belong. I argue that many contributions to it go in the right direction. The contributions to this volume also establish uncharted philosophical junctures between Metaphysics, Aesthetics, Morality, and the Philosophy of Mind. (shrink)

ABSTRACT In 'An Insoluble Problem', Storrs McCall presents an argument which he takes to reveal the real problem with backwards time travel. McCall asks us to imagine a scenario in which a renowned artist produces his famous works by copying them from reproductions brought back to him by a time-travelling art critic. The novelty of the scenario lies in its introduction of aesthetic constraints on the possibility of time travel, something which sets it apart from other time travel cases. McCall (...) states that 'The puzzle lies... in finding where artistic creativity enters the equation', and that 'Unlike the traditional "paradoxes of time travel", this problem has no solution'. We offer four responses to McCall's puzzle. Whilst we show that the puzzle is not insoluble, we also argue that it reveals something about the proper relationship between copying and creativity, which may not have been apparent without considering time travel. (shrink)

In 1987, Roy Sorensen coined the term “parahistory” to denote the hypothetical study of evidence retrieved via time travel. Parahistory would thus stand to history rather as parapsychology does to psychology; studying data (in this case artefacts) that are obtained in ways unrecognised by orthodox science. This paper considers future-derived parahistorical artefacts. Past/future asymmetries threaten irresolvable problems in calibrating future objects' periods, in dating future artefacts and insulating them from causal loops. In turn, causal loop objects at best cannot be (...) non-arbitrarily dated at all and at worst, cannot even be artefacts. Even if there can be evidence for travel from the future, any such evidence that appeals to future artefacts faces pervasive difficulties and is very unlikely to be compelling. (shrink)

In 1987, Roy Sorensen coined the term “parahistory” to denote the hypothetical study of evidence retrieved via time travel. Parahistory would thus stand to history rather as parapsychology does to psychology; studying data (in this case artefacts) that are obtained in ways unrecognised by orthodox science. This paper considers future-derived parahistorical artefacts. Past/future asymmetries threaten irresolvable problems in calibrating future objects' periods, in dating future artefacts and insulating them from causal loops. In turn, causal loop objects at best cannot be (...) non-arbitrarily dated at all and at worst, cannot even be artefacts. Even if there can be evidence for travel from the future, any such evidence that appeals to future artefacts faces pervasive difficulties and is very unlikely to be compelling. (shrink)

Brit J Aesthetics DOI:_ 10.1093/aesthj/ayz041 _.

Michael Dummett and Storrs McCall have claimed that time travel scenarios in which an artist copies an artwork from a reproduction of it that has been sent from the future introduce a causal loop of a new kind: one involving artistic value. They have suggested that this poses a hitherto unacknowledged challenge to time travel theories. I argue that their conclusion depends on some unstated essentialist assumptions about metaphysics of art and the status of representations. By relaxing these assumptions, I (...) show that Dummett and McCall’s scenarios contain no causal loop involving artistic value, and thus pose no new problem for time travel theories. (shrink)