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  1. Sculpting the space of actions. Explaining human action by integrating intentions and mechanisms.Machiel Keestra - 2014 - Dissertation, University of Amsterdam
    How can we explain the intentional nature of an expert’s actions, performed without immediate and conscious control, relying instead on automatic cognitive processes? How can we account for the differences and similarities with a novice’s performance of the same actions? Can a naturalist explanation of intentional expert action be in line with a philosophical concept of intentional action? Answering these and related questions in a positive sense, this dissertation develops a three-step argument. Part I considers different methods of explanations in (...)
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  • Effects of Musical Tempo on Musicians’ and Non-musicians’ Emotional Experience When Listening to Music.Ying Liu, Guangyuan Liu, Dongtao Wei, Qiang Li, Guangjie Yuan, Shifu Wu, Gaoyuan Wang & Xingcong Zhao - 2018 - Frontiers in Psychology 9.
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  • Commentary: Cats prefer species-appropriate music.Cinzia Chiandetti - 2016 - Frontiers in Psychology 7.
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  • The next step: mirror neurons, music, and mechanistic explanation.Jakub R. Matyja - 2015 - Frontiers in Psychology 6.
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  • Origins of music in credible signaling.Samuel A. Mehr, Max M. Krasnow, Gregory A. Bryant & Edward H. Hagen - 2021 - Behavioral and Brain Sciences 44:e60.
    Music comprises a diverse category of cognitive phenomena that likely represent both the effects of psychological adaptations that are specific to music (e.g., rhythmic entrainment) and the effects of adaptations for non-musical functions (e.g., auditory scene analysis). How did music evolve? Here, we show that prevailing views on the evolution of music – that music is a byproduct of other evolved faculties, evolved for social bonding, or evolved to signal mate quality – are incomplete or wrong. We argue instead that (...)
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