This article argues that Hegel’s book The Phenomenology of Spirit can be read as a Bildungsroman or a theory of reception. Hegel (as he appears in this book) sets forth to educate his readers to a historical understanding. This is the article’s main argument which will be split up in three parts. First, it seems that Hegel tries to lead the uneducated reader to his own ideal philosophy. If so, the reception will be merely technical, i.e., the book has only (...) one answer and the reader has to submit to Hegel to get him right. The article argues against such a reading. Secondly, it seems more likely that Hegel invites his readers to take an active part in the interpretation of the book. To substantiate this claim, the article argues that the hitherto unknown phenomenon in the book “touches” and challenges the reader, who must “touch” back and accept the challenge in order to grasp the phenomenon. This reception involves the experience of “touch” (not physical) and is therefore haptic. Thirdly, and in extension of the haptic reception, the article argues that there is a reception as recollection, meaning that Hegel invites the reader to reflect upon the recollected experiences or “the gallery of images” that Hegel has archived in his book. In doing so, the reader will see the gallery of images with new eyes—which ultimately is a process of Bildung as the reader gains self-awareness and knowledge through Hegel’s images. (shrink)

Taking its departure from the destruction of ethicality (Sittlichkeit), as envisioned by Hegel in the Phänomenologie des Geistes (PG §443–475), this paper constructs a concept of a contemporary subject whose self-reliant autonomy fractures in the face of the truth. This truth is revealed as an upsurge of nature, whose role and significance has been denied in favor of comfort and security of the subject. The move to yoke and subdue nature by placing science—as Bacon saw fit—in service of technology, and (...) by placing technology in service of human comfort and safety, proved to bear fruit. However, this subjugation, and also the abuse of nature, in one and the same move, results in a subjugation and a denigration of the human self. (shrink)

Graham Priest has brilliantly analyzed Hegel's dialectics, as far as its logical and abstract ontological (metaphysical) structure goes, and has successfully related it to his own logically sophisticated dialethism. After briefly reminding the reader of his account, the paper turns to the other, not purely logical side of Hegel's dialectics, and points to his strategy of bringing together ontological, anthropological and historical matters together with the logical structure, in a manner quite foreign to analytic tradition. It concludes with the proposal (...) that Hegel's way of directly connecting logical ontological, anthropological and historical matters has played the crucial role in the birth of what later became known as specifically ``continental'' philosophy. The paper concludes by raising the question of the relation between the two, the abstract logico-ontological approach, favored by Priest, and the rich, anthropologically and historically informed one found in all major works of Hegel. (shrink)

In this article, the master-servant figure in the Phenomenology of Spirit is analyzed against the background of Hegel’s ontology of life as an embodied process. It is therefore argued that the theme of this figure is the question of domination in general, understood as a social relationship of subjection that can take on different historical configurations. Domination is understood as a relationship of disparity of status between dominant and dominated subjects. Therefore, domination would have an intersubjective aspect, as constituted by (...) asymmetric relations of recognition, and a material one, as this disparity in recognitive status enacts the extraction of physical and symbolic resources from subordinated subjects. (shrink)

El presente trabajo estudia la concepción erótica de la subjetividad en la Fenomenología del espíritu de Hegel. Las tesis que intentamos mostrar son dos. La primera es que la concepción erótica de la subjetividad tiene un sentido muy restringido: es la referencia negativa y puramente inmediata a la cosa viva, la aniquilación del objeto natural que no alcanza la completa negación del ser-otro porque la dimensión erótica de la subjetividad requiere e implica la autonomía del objeto en cuestión. La segunda (...) tesis es que, en cuanto posicionamiento práctico y negativo de la autoconciencia respecto de su objeto, la concepción erótica de la subjetividad no se limita al Capítulo IV, aunque es en este último, y específicamente en su parte introductoria, donde se establecen los caracteres propios de dicha concepción. (shrink)