The objective of this article is to conceptualize and evaluate the transhumanist movement by applying a Nietzschean critique to its techno-progressive agenda of human enhancement. The investigation itself is divided into three distinctive, yet methodologically intertwined steps: first, I will present an exegetical approach by circumscribing the discussion concerning the alleged similarities and disparities between the transhumanist notion of transforming the human into a posthuman being and Nietzsche’s concept of education, understood as self-overcoming; secondly, in a more practical and future-oriented (...) manner, I will consider some of the major aporias for conceptualizing a ‘Nietzschean transhumanism’ by confronting the techno-progressive idea of morphological freedom with Nietzsche’s critical approach to the commerce- and consumer-oriented mentality of the non-creative modern individual; finally, I will employ Nietzsche’s complex treatment of nihilism in order to formulate a critical evaluation of transhumanism’s cultural implications. My fundamental conclusion will be that the techno-progressive agenda does not strive to overcome human limitations by coping with the tragic nature of life in a Nietzschean sense, but merely promotes the nihilistic dream of Zarathustra’s ‘last human’ to establish a common happiness by eradicating the Dionysian reality of all existence. (shrink)

ABSTRACTVarious authors, including Friedrich Nietzsche and George Steiner, have argued that the tragic worldview, as we find it expressed in Greek tragedy, has become an entirely incomprehensible phenomenon for modern man. The claim defended in this article radically opposes this view. It is argued that tragedy can still teach us something today, and maybe even more so now than in the many intervening centuries that separate us from her days of glory in the fifth century BCE. The tragic reveals itself (...) once more in modern society, and nowhere more clearly than in technology, the domain in which we believed the tragic had been domesticated or even eliminated. Referring to the tragic humanism in Michel Houellebecq’s novels The Elementary Particles and The Possibility of an Island it is argued that it is precisely in modern technologies that we experience the rebirth of the tragic. (shrink)