The word Eὐμεν⋯δες occurs six times in our texts of Greek tragedy (four times in Eur.Or., twice in Soph.O.C.) and once as a play title (Aesch.Eum.). This may make ‘Eumenides in Greek tragedy’ sound like a restricted subject, but it is one that has seldom been discussed as a whole, and scholars have tended to consider each of the three plays in question in the light of unargued assumptions about the other two, and about the nature and affinities of Eumenides (...) in general. I shall begin with some introductory remarks on cults, since not all the information is readily available in reference books, and then discuss the three plays in turn, starting for convenience with theOrestes. (shrink)

The proverbial obscurity of the Alexandra discourages conjecture, and Lycophron's editors have not been given to bold emendation. It may indeed seem that much has been suffered to pass unquestioned which no-one would think tolerable if it stood in the MSS. of Aeschylus, whose style Lycophron clearly sought to emulate. Yet despite the prophetic form of his Rahmenerzählung his manner of expression is far removed from the deliberate opacity, all too often accompanied by defective grammar, characteristic of genuine apocalyptic prophecy, (...) whether bona fide or post eventum, nor does the appeal of this rather bookish poetry lie in that power to enlist our sympathies for impossible dreams and lost causes beside which animadversions on syntactical abnormality seem stony-hearted. (shrink)

The word Eμενδες occurs six times in our texts of Greek tragedy and once as a play title . This may make ‘Eumenides in Greek tragedy’ sound like a restricted subject, but it is one that has seldom been discussed as a whole, and scholars have tended to consider each of the three plays in question in the light of unargued assumptions about the other two, and about the nature and affinities of Eumenides in general. I shall begin with some (...) introductory remarks on cults, since not all the information is readily available in reference books, and then discuss the three plays in turn, starting for convenience with the Orestes. (shrink)