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  1. What Is the Monumental?Sandra Shapshay - 2021 - Journal of Aesthetics and Art Criticism 79 (2):145-160.
    The aesthetic category of the sublime has been theorized (especially in the Kantian tradition) as integrally intertwined with the moral. Paradigmatic experiences of the sublime, such as gazing up at the starry night sky, or out at a storm-whipped sea, lead in a moral or religious direction depending on the cognitive stock brought to the experience, since they typically involve a feeling of awe and reflection on the peculiar situation of the human being in nature. The monumental is a similar (...)
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  • A Two-Tiered Theory of the Sublime.Sandra Shapshay - 2021 - British Journal of Aesthetics 61 (2):123-143.
    By the start of the twenty-first century, the notion of ‘the sublime’ had come to seem incoherent. In the last ten years or so considerable light has been shed by empirical psychologists on a related notion of ‘awe’, and a fruitful dialogue between aestheticians and empirical psychologists has ensued. It is the aim of this paper to synthesize these advances and to offer what I call a ‘two-tiered’ theory of the sublime that shows it to be a coherent aesthetic category. (...)
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  • Awe’s Place in Ethics.Ashley Coates - 2022 - Ethical Theory and Moral Practice 25 (5):851-864.
    After a period of relative neglect, awe has been the focus of substantial empirical work in psychology and has also begun to receive some philosophical attention. Thus far, though, little attention has been devoted to a line of reasoning present in the literature on environmental ethics that moves from being awe-inspiring to being worthy of preservation. I argue here that this neglect ought to be remedied, as this argument potentially has a significant role to play in various ethical contexts involving (...)
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  • Why the Sublime Is Aesthetic Awe.Robert R. Clewis - 2021 - Journal of Aesthetics and Art Criticism 79 (3):301-314.
    This article focuses on the conceptual relationship between awe and the experience of the sublime. I argue that the experience of the sublime is best conceived as a species of awe, namely, as aesthetic awe. I support this conclusion by considering the prominent conceptual relations between awe and the experience of the sublime, showing that all of the options except the proposed one suffer from serious shortcomings. In maintaining that the experience of the sublime is best conceived as aesthetic awe, (...)
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  • Can a Worship-worthy Agent Command Others to Worship It?Frederick Choo - 2022 - Religious Studies 58 (1):79-95.
    This article examines two arguments that a worship-worthy agent cannot command worship. The first argument is based on the idea that any agent who commands worship is egotistical, and hence not worship-worthy. The second argument is based on Campbell Brown and Yujin Nagasawa's (2005) idea that people cannot comply with the command to worship because if people are offering genuine worship, they cannot be motivated by a command to do so. One might then argue that a worship-worthy agent would have (...)
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  • Environmental aesthetics.Allen Carlson - 2008 - Stanford Encyclopedia of Philosophy.
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