The paper analyses Schelling and Schopenhauer’s conflicting views on intuition within the context of German classical philosophy and provides an interpretation of their differences. Moreover, the paper intends to fill a gap in the literature, by explaining how Schopenhauer grounded intuition in aesthetics and ethics on feelings and mysticism. After the Introduction, Section 2 summarizes Kant’s epistemology and its role in the subsequent discussions on intuition, and Sections 3 and 4 focus on Schelling’s intellectual intuition and Schopenhauer’s account of different (...) kinds of intuition. Sections 5 and 6 analyse how Schopenhauer argued that feelings and mysticism explain metaphysical insights in aesthetics and ethics. Section 7 sums up the main contributions of this paper through a comparative overview of Schelling and Schopenhauer’s respective accounts of intuition. (shrink)

In this article, we argue that in the Jena period (1801–1803) Schelling and Hegel both rejected the conception of God as coinciding with the moral order, which they attribute to Fichte; such coincidence, in their view, turned God into a transcendent and merely moral Being. In an effort to demonstrate their distance from Fichte's view, we contend, Schelling and Hegel advocated for a metaphysical (rather than merely moral) and immanent (rather than transcendent) understanding of God, conceived in its inextricable relation (...) with nature and self-consciousness. We conclude by demonstrating that the cooperation between Schelling and Hegel in the Jena period led them to develop an analogous conception of immanence—which already foreshadows, however, the different directions that Schelling and Hegel take in their mature works. (shrink)