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  1. Now This : On the Gradual Production of Justice Whilst Doing Law and Music.Claudius Messner - 2018 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 31 (2):187-214.
    This paper examines the role of performance in law and music as a structural means of their self-programming construction. Music and law are considered as parallel social practices or performative doings. The paper begins with a critical analysis of the special aesthetical features of present-day juridical practice as exemplified by legal trial and legal expertise. Drawing upon reflections on the modern discourse on aesthetics and art, the article then examines in greater detail the specific traits of performance in law and (...)
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  • Expiration dates: Performative illusions of law and regulation.Sarah Marusek - 2017 - Semiotica 2017 (216):249-263.
    Name der Zeitschrift: Semiotica Jahrgang: 2017 Heft: 216 Seiten: 249-263.
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  • Luhmann’s Judgment.Claudius Messner - 2014 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 27 (2):359-387.
    This paper explores what is apparently a non-topic for Luhmann. Luhmann is preoccupied with decision-making rather than with judgment. The paper argues that Luhmann, attempting to find a way out of the dilemma between the fundamentalism of positivistic legal theory and the relativism of anti-foundationalist post-modern thinking, presents the epistemological–ethical doublet of a “self-binding” of the law. In this bootstrapping manoeuvre decision plays the central part. The paper begins by examining judgment in its relation to decision as considered by non-system-theoretical (...)
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  • Staging Law's Existence: Using Pretense Theory to Explain the Fiction of Legal Validity.Olaf Tans - 2016 - Ratio Juris 29 (1):136-154.
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