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Nietzsche und die Kunst

(1993)

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  1. Krankheit und Gesundheit in der späten Philosophie Friedrich Nietzsches: Eine psychophysiologische Analyse des Leibes und des dionysischen Künstlers.Marina Silenzi - 2024 - De Gruyter.
    Die Hauptthese dieses Buches ist es, Krankheit und Gesundheit mit Nietzsche auf zwei verschiedenen Ebenen zu denken, nämlich als Ereignisse des Willens zur Macht in einem zirkulär-relationalen Modell, in dem sie sich gegenseitig behaupten, sowie die Metaebene der Konzeptualisierung anzuerkennen. Es behandelt die Schwierigkeit des begrifflichen Denkens, diese Ereignisse einzuholen, und diskutiert kritisch Modellbildungen, die darauf hinauslaufen, dass Krankheit zu überwinden und als lineares singuläres Ereignis zu verstehen sei. In Nietzsches Spätwerk wird die Figur des "dionysischen Künstlers" als Idealisierung der (...)
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  • Between 'Conservative Revolution', aesthetic fundamentalism and new nationalism: Thomas Mann's early political writings.Stefan Breuer - 1998 - History of the Human Sciences 11 (2):1-23.
    The author of 'Betrachtungen eines Unpolitischen' (1918) is usually regarded as one of the founding fathers of the so-called 'Conservative Revolution'. But Thomas Mann's understanding of this concept does not at all coincide with the definition established by Armin Mohler, mainly in that it is not Nietzschean. Nor do the ties with the George circle furnish grounds for assigning Mann to the 'Conservative Revol ution', any more than to the 'aesthetic fundamentalism' which was cul tivated there. Moreover, it can be (...)
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  • Situative Werkpolitik. Nietzsches Retraktationen der Geburt der Tragödie.Axel Pichler - 2019 - Nietzsche Studien 48 (1):134-172.
    Nietzsche has repeatedly commented on his already published works, and thus continuously reinterpreted them, in order to shape their public reception and to foreground the communication of specific aspects of his works. As such, he followed a specific “work politics,” or Werkpolitik. The resulting retractions are not only revealing for the reconstruction of Nietzsche’s self-understanding, but also demonstrate both the development and the dynamic character of his thinking. In the present article, this is shown through a so-called “contrasting reading,” which (...)
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  • (1 other version)Who is the "Music-Making Socrates"?Stefan Lorenz Sorgner - 2004 - Minerva - An Internet Journal of Philosophy 8 (1).
    In this article, I wish to show that Kaufmann was right, when he claimed that “nobody has ever found a better characterization of Nietzsche” than his own, when he talked about the “music-making Socrates” in the Birth of Tragedy. Firstly, I make some general remarks on the Birth of Tragedy. Secondly, I analyse Nietzsche’s understanding of music in the Birth of Tragedy. Thirdly, I describe the particular conception of “Socrates” as Nietzsche develops it in The Birth of Tragedy. Lastly, I (...)
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  • (1 other version)Nietzsches Metaphysik-Skizze: "Der Wille zur Macht" und die Beziehungen dieser Skizze zu den zeitgenössischen Naturwissenschaften.Stephan Landolt - 1994 - Kriterion - Journal of Philosophy 8 (1):21-39.
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