The reconstructive turn in memory theory challenges us to provide an account of successful remembering that is attentive to the ways in which we use memory, both individually and socially. I investigate conceptualizations of accuracy and integrity useful to memory theorists and argue that faithful recollection is often a complex epistemological/ethical achievement.

The purpose of this essay is to isolate and examine the complex, sometimes paradoxical, ethical perspectives of I. F. Stone, the life-long radical journalist who was also a determined press critic. Drawing on a close reading of Stone 's work, secondary sources, interviews in numerous publications, and conversations held shortly before his death, the essay organizes and discusses four primary ethical concerns in Stone 's writings: the pursuit of news, power, profit, and freedom of expression. After situating Stone 's ethics (...) within a broader context of ethical theory, the essay considers limitations of Stone 's approach, which lead, finally, to a larger discussion of the most appropriate sites for media studies and ethical criticism. (shrink)

This article asks whether there were, in post-dictatorship Chile, limitations of the autonomy of cultural and artistic production addressing the memory of traumatic events. In particular, the article analyzes the content and history of the production of some relevant sections of the mural painting Memoria Visual de una Nación by the Chilean artist Mario Toral. The article demonstrates that public art was an arena of struggle for the meaning of democracy during the postdictatorship period. To do this, he uses concepts (...) from post-structuralist political theory, cultural studies, the philosophy of memory, and memory studies. The article also offers an interpretation of cultural production as an open and contingent process. It concludes that the transition via transaction in Chile had a negative influence on the field of artistic production, reducing its autonomy and divergence from the dominant political discourse in the period. (shrink)

This article introduces the key issues and themes that the articles in the Special Issue aim to apply and develop in greater detail. First, we argue that the field of collective remembering can be conceived as a site of active contestation, rather than simply a means of communicating a historic past or our deontic position in relation to these pasts. Approaching collective remembering as a Lieu de Dispute allows us, in turn, to foreground three consequential dimensions of remembrance, which the (...) articles in the issue examine in different ways: that collective remembering is an interpersonal, political and affective practice. This introduction discusses these three dimensions to collective remembering in greater detail, before outlining the remaining contents of the Special Issue. (shrink)