Sophocles’ Antigone is a play that has been analyzed by many researchers in different fields, but the subject of Antigone’s parenting has been neglected in the field of education. Antigone’s parent...

: Reading Hegel's 1827 Lectures on the Philosophy of Religion alongside his Phenomenology of Spirit, I argue that his vision for becoming a self-conscious subject—or seeing (oneself as) "spirit"—requires taking responsibility for the insight that every act of reason expresses an experience of sexual difference. It entails working to bring into being communities whose conceptions of gender and the absolute realize this idea.

This essay re-examines Hegel's account of Greek culture in the section of the _Phenomenology of Spirit_ devoted to “ethical action”. The thrust of this section cannot be adequately grasped, it is argued, by focusing on Hegel's references to either Sophocles' _Antigone_ or Greek tragedy as a whole. Taking into account Hegel's complex use of literary sources, the essay shows in particular that Hegel draws on Aristophanes' comedies to comprehend the collapse of Greek culture, a collapse he considered to result from (...) the tragic conflict constitutive of Greek culture as a whole. The essay thus aims to shed light on Hegel's abstruse remarks on womanhood and, more generally, to demonstrate that Hegel's peculiar employment of literary sources constitutes an essential element of the method he employs throughout the _Phenomenology of Spirit_. (shrink)

To engage with Hegel's philosophy from a feminist perspective is necessarily to be confronted with questions about the politics of reading. Politics, that is, both in the obvious, traditional ideological sense and in the less obvious sense of the politics of the relation between reader and text. For some scholars this automatically places feminist readers in the category of a dubious scholarship which rests on a mistaken understanding of the meanings of both politics and truth.It seems to me a mistake (...) — and an inexcusable conceit — to say as some now do, that all scholarship is somehow ‘political’ or is itself politics practised by other means. That view demeans both politics and scholarship. Now this isnotto say that a scholar's motives must not be political, only that the methods and results of her researches must be judged according to scholarly standards and not political ones. The aim of scholarship is to seek and to tell the truth, as best one can discern it, and not to promote any particular partisan cause. Ball here confines the role of politics in the traditional sense to the Weberian category of ‘value’, which may motivate and orient scholarship but which cannot provide the criteria according to which scholarly work is carried out or its findings are judged. He dismisses the relevance of the category ‘politics’ to the understanding of the relation between reader and text as such and instead, argues that ‘truth’ is what that relation should be about. Yet, the work of interpretation and reflection in the reading of texts insofar as it involves a process of interaction between reader and text always problematises, I would argue, the distinction between politics and truth upon which Ball's analysis relies. There are various models on offer, both descriptive and prescriptive for what the process of textual interpretation does or should involve. One can contrast the notion of ‘scholarly standards’ as the route to the true meaning of a text with Skinner's new historicism, the virtuous circle of hermeneutics or the destabilising ambitions of deconstruction. These approaches elicit very different interpretive results but they also differ in their assumptions about what is or ought to be taken as authoritative for understanding and interpretation and in this sense they are characterised by a politics of the interplay between reader and text. This is a modest claim but one which disrupts the politics/truth distinction even if it doesn't necessarily imply the end of distinguishing between good and bad, valid and invalid understanding/interpretation. (shrink)