This article offers an analysis of normative practical reasoning. Reasoning of this type includes at least one normative belief and it has a practical conclusion (roughly, a conclusion about what to do). The principal question I am interested in is whether this type of practical reasoning can be logically conclusive. This issue has received remarkably little philosophical discussion despite the central role this reasoning plays in our everyday discourse about action and in the resolution of ethical problems. I distinguish three (...) kinds of normative reasons. Quasi -normative reasoning, I maintain in Section 1, can only be valid if it is in fact theoretical reasoning, despite appearance to the contrary. In Section 2, I argue that there are two kinds of genuine normative reasoning (purely normative reasoning and hybrid reasoning) that can be logically conclusive. This article also shows that practical arguments are non-trivially ambiguous (which has been largely ignored in the literature) because they can at the same time express different pieces of practical reasoning that have a different logical status. (shrink)

Tom Stoppard is justly praised by many for what are perceived as his technical skills as a dramatist—his wit, his seriousness, his mastery of parody and pastiche, his impressive control of dramatic structure. Stoppard earns his place as a giant of modern drama from these qualities. They, however, are not what concern me here. His plays are also in various ways riddled with philosophy. My purpose in this paper is to examine the claim that he is a philosopher's dramatist, rather (...) than a dramatist's dramatist or an ordinary thinking man's dramatist. I am not concerned with how far Stoppard himself as a matter of biographical fact may wish to make this claim, although Stoppard has made no secret of his fascination with Philosophy. I make the claim myself in order both to offer an interpretation of certain dramatic texts and to raise certain questions about philosophical method. I hope to show that to understand certain ways in which Stoppard's plays are philosophical is to appreciate something profound about the way in which philosophy and drama are akin—that is, I hope to make critical and philosophical points, not historical or biographical points. (shrink)