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  1. On Becoming a Rooster: Zhuangzian Conventionalism and the Survival of Death.Michael Tze-Sung Longenecker - 2022 - Dao: A Journal of Comparative Philosophy 21 (1):61-79.
    The Zhuangzi 莊子 depicts persons as surviving their deaths through the natural transformations of the world into very different forms—such as roosters, cart-wheels, rat livers, and so on. It is common to interpret these passages metaphorically. In this essay, however, I suggest employing a “Conventionalist” view of persons that says whether a person survives some event is not merely determined by the world, but is partly determined by our own attitudes. On this reading, Zhuangzi’s many teachings urging us to embrace (...)
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  • Anscombe’s “I,” Zhuangzi’s Pipings of Heaven, and The Self That Plays the Ten Thousand Things: Remarks on Thomas Ming’s “Who Does the Sounding?”.Steven Geisz - 2018 - Dao: A Journal of Comparative Philosophy 17 (4):569-584.
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  • Zhuangzi and Simone Weil on Decreating the Self.Ryan Harte - 2022 - Comparative and Continental Philosophy 14 (3):281-294.
    This essay thinks through Nanguo Ziqi’s famous “I lost myself” (wu sang wo 吾喪我) remark in the Qiwulun 齊物論 in light of Weil’s notion of decreation. The desire to undo the self is paradoxical, and most philosophical interpretations of the Zhuangzi passage try to avoid the paradox of “I lost myself” by positing various levels of self. Weil’s decreation embraces the paradox, and thereby helps clarify how Nanguo’s “I lost myself” connects with his subsequent metaphor of pipes of Heaven. More (...)
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  • Referring and Reporting: The Use of Selfing Language in the Zhuangzi.Ronnie Littlejohn - 2018 - Dao: A Journal of Comparative Philosophy 17 (4):547-558.
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  • Is the Question “Who Does the Sounding?” Meaningful?James Peterman - 2018 - Dao: A Journal of Comparative Philosophy 17 (4):559-568.
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