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  1. Peirce’s iconicity and his image-diagram-metaphor triad revisited: complements to Stjernfelt’s Sheets, Diagrams, and Realism.Winfried Nöth - 2024 - Semiotica 2024 (258):143-167.
    This review article of Frederik Stjernfelt’s Sheets, Diagrams, and Realism (2022) argues that Peirce’s theory of iconicity with its subdivision into the image-diagram-metaphor triad must not be reduced to diagrammatic iconicity. The foundation of the triadic subdivision of the icon is not in Peirce’s diagrammatic logic but in Peirce’s cenopythagorean categories. A focus is on misinterpretations of Peirce’s concept of thirdness in the firstness of the icon. The paper argues that not only metaphors, but also comparisons, analogies, analogic arguments, and (...)
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  • The structural human and semiotic animal: between pride and humiliation.Martin Švantner - 2023 - Semiotica 2023 (254):15-39.
    The main theme of the article, which by genre falls into the area of semiotically influenced philosophy, is a reflection on the relationship between the human and the non-human, using two partial but parallel discourses. The first discourse is the perspective of general semiotics, which is defined in the article on the basis of two distinct forms of rationality that, in different guises, still intervene in debates about the nature of the humanities and social sciences today. The first form of (...)
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  • Introduction: from semiotic odysseys to artistic tele-machinations.Martin Švantner & Ondřej Váša - 2023 - Semiotica 2023 (254):1-14.
    The main theme of the article, which by genre falls into the area of semiotically influenced philosophy, is a reflection on the relationship between the human and the non-human, using two partial but parallel discourses. The first discourse is the perspective of general semiotics, which is defined in the article on the basis of two distinct forms of rationality that, in different guises, still intervene in debates about the nature of the humanities and social sciences today. The first form of (...)
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