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  1. The aesthetic as mirror of faith in Kierkegaard's Fear and Trembling.Genia Schönbaumsfeld - 2019 - European Journal of Philosophy 27 (3):661-674.
    One of the most intractable issues in Kierkegaard scholarship continues to be the question of what one is to make of the relation between infinite resignation and faith in Fear and Trembling. Most commentators follow Kierkegaard's pseudonymous author in claiming that progression to faith is a “linear” process that requires infinite resignation as a first step. The problem with such a reading is that it leads to paradox: It seems to require attributing to the “knight of faith” two inconsistent belief‐attitudes (...)
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  • The Binding of Abraham: Levinas’s Moment in Kierkegaard’s Fear and Trembling.Robert C. Reed - 2017 - Sophia 56 (1):81-98.
    Most readings of Kierkegaard’s Fear and Trembling take its account of the Abraham and Isaac story to imply fairly obviously that duty towards God is absolutely distinct from, and therefore capable of superseding, duty towards neighbor or son. This paper will argue, however, that the Akedah, or ‘binding’ of Isaac, as Kierkegaard’s pseudonym, Johannes de Silentio, depicts it, binds Abraham to Isaac in a revitalized neighbor relation that is not at all subordinate, in any simple way, to Abraham’s God-relation. The (...)
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  • Teleological Suspensions In Fear and Trembling.Kris McDaniel - 2018 - Philosophy and Phenomenological Research 100 (2):425-451.
    I focus here on the teleological suspension of the ethical as it appears in Fear and Trembling. A common reading of Fear and Trembling is that it explores whether there are religious reasons for action that settle that one must do an action even when all the moral reasons for action tell against doing it. This interpretation has been contested. But I defend it by showing how the explicit teleological suspension of the ethical mirrors implicit teleological suspensions of the epistemological (...)
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  • The Thought Experimenting Qualities of Kierkegaard's Fear and Trembling.Ingrid Malm Lindberg - 2019 - Religions 10 (6).
    In this article, I examine the possible thought experimenting qualities of Soren Kierkegaard's novel Fear and Trembling and in which way it can be explanatory. Kierkegaard's preference for pseudonyms, indirect communication, Socratic interrogation, and performativity are identified as features that provide the narrative with its thought experimenting quality. It is also proposed that this literary fiction functions as a Socratic-theological thought experiment due to its influences from both philosophy and theology. In addition, I suggest three functional levels of the fictional (...)
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