Does Kant’s restriction of knowledge to phenomena undermine objectivity? Jacobi argues that it does, daring the transcendental idealist to abandon the thing in itself and embrace the “strongest idealism”. According to Bruno, McDowell and Meillassoux adopt a similar critique of Kant’s conception of objectivity and, more significantly, echo Jacobi’s dare to profess the strongest idealism – what McDowell approvingly calls “consistent idealism” and Meillassoux disparagingly calls “extreme idealism”. After exposing the Cartesian projection on which Jacobi’s critique rests, Bruno shows that (...) McDowell’s and Meillassoux’s critiques make the same projection. He argues that whereas McDowell offers an inconsistent alternative to Kant’s idealism, Meillassoux begs the question against it. Finally, Bruno sketches the account of objectivity that follows from Kant’s distinction between general and transcendental logic. (shrink)

Michèle Le Doeuff's "Primal Scene": Prohibition and Confidence in the Education of a Woman My essay begins with Michèle Le Doeuff's singular account of the "primal scene" in her own education as a woman, illustrating a universally significant point about the way in which education can differ for men and women: gender difference both shapes and is shaped by the imaginary of a culture as manifest in how texts matter for Le Doeuff. Her primal scene is the first moment she (...) remembers when, while aspiring to think for herself, a prohibition is placed in her reading of literature. Her philosophyteacher—at a boys' school—told the young Michèle that Kant's Critique of Pure Reason was "too difficult" for her to read. In recalling this scene, the older Michèle—now, a woman philosopher—directs her readers to this text by Kant, in order to demonstrate how knowledge has been constrained by the narrative and imagery in the text of a philosopher; similarly, in the texts of others. She finds the central imagery of Kant's text for setting the limits to human knowledge in his account of "the island of understanding," or "land of truth," surrounded by "a stormy sea" of uncertainty; the latter image also retains a seductive appeal, threatening to destroy the confidence of any knower who ventures out beyond the well-marked out island. Moreover, women have often been associated with the dangers at sea beyond the safety of the island, where falsehood and worse reign. I propose that "text matters" here not only for gender issues, but for the postcolonial theory which Le Doeuff's reading of island imagery enhances in western literature and culture. The suggestion is that women in the history of ideas have been more susceptible than men to prohibitions : women's negative education is against going beyond certain boundaries which have been fixed by a generally colonialist culture on the grounds of gender-hierarchies. I stress the significance of confidence in the production of knowledge. A lack or an inhibition of confidence in one's own ability to think critically risks the damaging exclusions of, for example, colonialism and sexism. My aim is to unearth the political biases evident in textual imagery, while also pointing to new epistemic locations, with island-and-sea imagery that transgresses patriarchal prohibition, liberating subjects for confident reading and writing of texts today. (shrink)

En este trabajo se investiga el concepto de apariencia [Schein] que Kant desarrolla en la Crítica de la razón pura y textos complementarios. Se sostendrá que la propuesta crítica de Kant ha de ser comprendida en relación con la tradición metafísica previa —«metafísica dogmática»— y que el concepto de apariencia constituye un punto de anclaje privilegiado para abordar esta relación, además de situar a Kant como pensador moderno. Asimismo, se ofrece, siguiendo a G. Lebrun, una propuesta de distinción entre apariencia (...) lógica y trascendental. Finalmente se demarca el lugar de la ontología y la metafísica tras la operación crítica kantiana. (shrink)